• Including covers by SLAYER, CRO-MAGS, SIDE BY SIDE and of course WARZONE! As a bonus included two bonus-tracks on the B side that first appeared on the second volume of the notorious “M-TOWN REBELS II – AMONG THE ANGELS” compilation, for some more old school BACKFIRE! action with the superb “Down For The Cause” and a BOLD cover! “CHOOSE MY OWN PATH” was originally released on CD by KINGfisher and is now available for the first time ever on vinyl, issued under exclusive license from Century Media Records. 150 CLASSIC BLACK VINYL.
  • As a warm-up for this years upcoming brandnew BACKFIRE! album ANGRY GOD, Rebellion Records brings you an ultra limited slab of wax containing the very first recordings ever by this legendary hardcore band from Maastricht, NL. 2 demo tracks recorded by the band themselves in 1994 that were never released before! The B side contains 4 previously unreleased live tracks recorded at a show in Rennes, France in 1996. Comes in an old school layout with some old band pictures on the back-cover. Bound to be a collectors item. 250 Black vinyl.
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    Hardcore / Punk band from Athens / Greece. Members of Sarabante / Πανδημία / Χωρίς Οίκτο.
  • Second album for the band. Extreme blackened hardcore / crust at it’s best!
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    The Art of Rebellion is the sixth studio album by American crossover thrash band Suicidal Tendencies, originally released in 1992. The album maintains its position as the band's most commercially successful studio album to date, and the songs "Nobody Hears" and "I'll Hate You Better" have the distinction of being the only top 40 hits in Suicidal Tendencies' career.
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    Testament is often credited as one of the most popular and influential bands of the thrash metal scene. Their debut album The Legacy immediately made an impact when it was first released in 1987. Music critic Alex Henderson of All Music gave it 4.5 out of 5 stars, praising the record for its “thrash circles” and for being “a relentlessly heavy and promising effort focusing on such subjects as the occult, witchcraft, nuclear war, and global destruction”. It made many year-end lists including those of renowned metal publishers Metal Injection. Loudwire lists the album among the ten best thrash records that weren't released by The Big 4. The album spawned one single release, lead-off track “Over The Wall”, which the band still plays live during nearly every show they play and remains one of the most popular songs among fans.
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    Metal Church is the self-titled debut album of the heavy metal band of the same name. The album was originally released independently in 1984. Based on the success of the album, the band was signed to a recording contract by Elektra, who reissued Metal Church in 1985. The cover art depicts a cruciform Gibson Explorer hidden in shadows and smoke. Some of their most notable songs are the opener "Beyond The Black", their title track, the instrumental "Merciless Onslaught", "Gods Of Wrath" (which is different from all the other songs, as it had clean vocals, clean rhythms, and fluent solos) and the Deep Purple cover "Highway Star". The album is produced by Metal Church and Terry Date (Pantera, Slayer, Prong).
  • American thrash metal band Whiplash released their debut album Power And Pain in 1986 on the Roadrunner label. The backing vocals were recorded by Rob Kabula & Vinny Stigma of Agnostic Front and Peter Steele & Louie Beateaux of Carnivore. The band has been centred around guitarist and vocalist Tony Portaro, but are also notable for their drummer Tony Scaglione, who left the band after the album release to tour with Slayer. Power And Pain is available as a limited edition of 2000 individually numbered copies on silver coloured vinyl and includes an insert.
  • Fourth studio album from Venice Beach, L.A. heavyweights Suicidal Tendencies. Album opener and unmistakable anthem "You Can't Bring Me Down" - S.T.'s rally against vicious rumours and their notorious ban from playing public places in L.A. - sets the tone for the record, with 'Cyco' Mike Muir's lyrics of social commentary handled with intelligence, humour and a punk rock middle-finger. Lights Camera Revolution boasts the line-up now deemed classic. Suicidal's flirtation with the mainstream (complete with obligatory criticism of 'selling-out') went Gold in the US with over half a million copies sold, and to this day remains an essential record in any Metal or Punk collection.
  • The English heavy metal band Satan was founded in 1979 and are part of the so-called new wave of British heavy metal movement (NWOBHM). Their debut album Court In The Act boasts a unique heaviness that outweighs what many extreme metal albums are capable of providing to the listener. Its savage and monstrous guitar work is what makes the difference if compared to other releases brought out during the NWOBHM, add in the drumming from Sean Taylor and you have an album that should not been overseen by any metal/ hard rock fan. The album is available as a limited edition of 1000 individually numbered copies on gold coloured vinyl and includes an insert.
  • New Jersey thrash metal band Overkill were formed in 1984 and named themselves after a Motörhead album. They were one of the early trash metal bands to sign to a major label and started to become successful in the late '80s, when the genre became popular with bands like Anthrax, Exodus, Metallica, Megadeth, Slayer and Testament. Taking Over is the second studio album by the band and was originally released in 1987. It was their first album to be released through Atlantic, who would release all of the band's albums up to W.F.O. (released in 1994). The track "Wrecking Crew" is considered one of the band's signature songs and was chosen to be the title of the band's official website (wreckingcrew.com). Both "Wrecking Crew" and "In Union We Stand" are almost always included on the band's setlist.
  • The American heavy metal outfit Metal Church has been making music since 1980 and is led by Kurdt Vanderhoof. They released a total of twelve studio albums, including the second The Dark, which originally came out in 1986. It was their last album to feature the “classic” line-up of David Wayne, Kurdt Vanderhoof, Kirk Arrington, Duke Erickson and Craig Wells. The Dark features somber themes like assassination, death and the supernatural. It was produced by Mark Dodson, who is best known for producing albums by Anthrax and Suicidal Tendencies. The album features the singles “Start The Fire” and “Watch The Children Pray”, and fan favourites “Ton Of Bricks” and “Over My Dead Body”.

  • Nightmare Logic has taken Power Trip’s classic Exodus-meets-Cro-Mags sound to new places. With hooks and tightness rivaling greats like Pantera or Pentagram and production by the esteemed Arthur Rizk, Nightmare Logic punishes fans not only sonically but with pure songwriting skill. The sophomore release and second on Southern Lord Records, raises the bar and pushes Power Trip to new extremes. Since 2013’s Manifest Decimation, the band admits they’ve not only gotten better at their instruments, but have also reinvented their songwriting process into a more nuanced and clever system. The shift shows on this record and does so without losing any of the aggression so essential to the band.
  • Drawing from the sacred texts of the Cro-Mags, Vio-lence, Leeway, Exodus, and Nuclear Assault, Texas savages Power Trip have unleashed their debut album with Southern Lord. They leave in their wake a multitude of crushed generic and feeble contemporaries. POWER TRIP don’t emulate they properly channel the old-school energy of the old cross-over gods and add their own brand of modern thrash warfare. “Manifest Decimation” was recorded/produced by Arthur Rizk (War Hungry, Mother of Mercy, Inquistion). The recording is absolutely face-peeling and will ensure maximum head-banging from the hordes.
    1. Ορυμαγδός (Pronounced as Orimagdos, and means loud noise) is Athens/Greece OneMan roadroller, with a little help from Vaggelis/Paroxysmos who played as a guest drums on this one. 10 tracks of filthy and hellish metal/punk in the vein Venom/Midnight/Warfare/GBH. 400 hand-numbered copies.
  • A face-breaking collection of metal/hardcore crossover acts compiled by aggro-music authority KATON DE PENA (HIRAX). You get moshed into the ground with tracks from HIRAX, THE ACCUSED, MUNICIPAL WASTE, VOETSEK, and TOXIC NARCOTIC.
  • Obituary's death metal debut album Slowly We Rot was a ground-breaking release at the end of the 1980s. As one of the pioneers of this genre, they created a heavy album where everything was monstrous. From their down-tuned guitar riffs, deep growls and moans and distinct tempo changes. The songs are often slowing down to a doomy tempo, a revolutionary thing at the time of release. Slowly We Rot is inspired brilliance, where the meaning of the title is illustrated in the music and lyrics. Overall, you're in for one hell of a package with this album, as this is the true classic from the death metal. The Floridian death metal band Obituary is one of the most successful death metal bands of all time. With the exception of their 1997-2003 split, they continue to perform live around the world. Obituary is available as a limited edition of 2000 individually numbered copies on coloured (solid yellow & transparent green mixed) vinyl.
    • 180 gram audiophile vinyl
  • Keeper of the Seven Keys Part I is the second studio album by Helloween, released in 1987. It marks the first appearance of vocalist Michael Kiske, and is considered the album that created the genre of European-style power metal. It was an album dominated by guitarist Kai Hansen, due to an injury to co-guitarist Michael Weikath which prevented him from performing on much of the album. The band originally planned to release Keeper of the Seven Keys Part I and Part II as a double album, but their record label refused, insisting that the albums be released separately. Helloween is a German power metal band founded in 1984 in Hamburg, Northern Germany. The band is a pioneering force in the power metal genre. Twelve musicians have been a part of the band's line-up in it's history.
  • Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
  • Rock for Light is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. We’re proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
  • Quickness is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
  • Out of stock
    DEATH's landmark Spiritual Healing record is nothing short of genre-defining. Originally released in 1990, Spiritual Healing marked a new turn in the DEATH discography, one which ushered in cleaner production, a new level of boundary pushing musicianship and songwriting skills that were previously unimaginable from a metal band. Spiritual Healing sets the standard for riffs, insane time changes and of course mainman Chuck Schuldiner's masterful guitar solos.
  • DEATH's legendary 1987 debut Scream Bloody Gore is more than just an untouchable album - upon its release, it was positively genre-creating. Scream Bloody Gore founded the quintessential death metal sound, with more tormented riffs, screams, and leads than the world had ever imagined, and established Chuck Schuldiner's inimitable phrasing and songwriting style as the most singular voice in the burgeoning genre. Today, the album is viewed unanimously as one of the all-time most important cornerstones of death metal.
  • DEATH: Leprosy (LP) RR7228

    23,00 incl. tax
    DEATH's titanic second album. Originally released in 1988 Leprosy was a pioneering album, building upon the thrash sounds of Metallica and Slayer but adding a previously unheard level of raw extremity. These songs are the roots of an entire genre: death metal. While this was only the second record DEATH released, it immediately cemented them as heavy metal icons.
  • American crossover thrash metal band Suicidal Tendencies was formed in 1980 by vocalist Mike Muir. To follow up on the success of their self-titled debut album, they released Join The Army in 1987. The album is arguably one of their most popular efforts and features the popular tracks “War Inside My Head”, “Possessed To Skate” and “Join The Army”. It was the first album to feature Rocky George on guitar and R.J. Herrera on drums, and the last recording with Louiche Mayorga on bass. Join The Army features the track “Human Guinea Pig”, which previously only appeared on CD. The vinyl package also includes an insert with lyrics.