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They call it Vienna Style Hard Core. 10 year anniversary maxi CD. Hard Core for fans of BACKFIRE, ANGEL CREW. -
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Old school Hard Core as most of the lyrics are very positive, dealing with self-realization and the like. Run Devil Run also do a pretty good cover of Gorilla Biscuits ''Stand Still'' and a Cro-Mags cover ''It’s The Limit''. -
Punk Rock from Athens/Greece. -
"Relentless" is just an introduction to their album "Life On The Ropes". This single features one track from the aforementioned album along with two songs exclusive to this release only. -
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Featuring Tomas from AT THE GATES on vocals, The Great Deceiver knock out sheer brutality in a style not compared to many. -
Four new songs of this Swedish Stoned crust d-beat institution! Musically in the same fashion as their previous 12" EP "Deserts of Ash" from 2019 High noon the crucial CRUST scale... as usual. Comes with with A3 poster and sticker. -
Previously released as "Fuck Peaceville", this is a re-release of Doom's re-recording of their earlier work after they fell out with Peaceville Records. Contains no new songs! (but 37 great re-recordings of that classic Doom era!). A top notch whirlwind of great crust punk from the master themselves!!! -
"Out of Hand" is the third album of these legendary Belgian crust punks and their first new recording since 1996's "self titled (the brain)" MLP on Skuld Releases. The album contains 12 new and one re-recorded track. and you can be sure that HIATUS did not lost any of their power and musical ferocity. Artwork by Ben. -
Originally released circa 1999. Remastered by Brad Boatright. Essential, classic, crucial D-BEAT crust from the masters! -
This is the long out-of-print (on vinyl) LP that was made from the “Dirty Rotten EP.” The band realized, once they saw the prices on things, that to do their 22-song 7″ as a 12″ would only cost a little more. So, with that, D.R.I. did it and the “Dirty Rotten EP” became the “Dirty Rotten LP.” -
But Wait, There's More is their first studio release in 15 years. D.R.I. is once again ready for Punk/Hardcore and Metal consumption! -
22 years, several ep’s and splits, 3 full lengths and countless tours around the globe, HELLSHOCK are still standing relevant and still playing some of the heaviest riffs in the world wide punk scene. Where most bands of the crust genre seem to lose the fire and filth or simply break up before their prime, this band seems to get more powerful with each release and this long awaited LP is no exception! This recording features the addition of Robbie Chronic from RIPPER on guitar who adds some real sick fucking solos on top of the established rolling crust riffage that the original core group had perfected years ago. Neck aching tempos, sheer brutality, growled anguished vocals, and epic song writing without straying from pure unadulterated crust. For the seasoned HELLSHOCK fan, you know you will already love this album and it will only exceed expectations. For the newcomer, if they were to ask “what is this crust/stenchcore thing about?”, I would point them to AMEBIX, DEVIATED INSTINCT, AXEGRINDER, and HELLSHOCK. The name deserves to be right beside the creators and masters. In another 20+ years this record will be regarded as one of the best crust records of the 2020’s, just as we look back at “Only the Dead Know the End Of War” as a defining record of the early 2000’s. -
Where do you go and what do you do when you achieve near legendary status with your debut album? In D.R.I.’s world, you release “Dealing With It!,” a record that infused their increasing technicality with a love of metal and the raw, fast as hell hardcore sound that they patented. Surpassing their debut was never going to be easy, but with their second album, D.R.I. managed to do just that in a maelstrom of vicious, catchy, cerebral hardcore and metal. -
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In It For Life was the suitably titled 1989 LP by post-apocalyptic voltage mongrels Extreme Noise Terror and Filthkick, a Birmingham-based hardcore punk group, equally as championed by John Peel as ENT were. Work For Never and Damaging Noise performed here by the former to the same exhilarating degrees as Mount Vesuvius erupts is an unholy rumble of double-pronged vocal aggression and rampages of feedback that could burst boils not even formed yet. A vampire bullied into submission and burning in the sun. Filthkick follows with Cime Without A Name, an endless, ominous dirge before being mauled by a savage dog. Between The Lines jumping in and out of focus, but never losing any of its ferocity with blistering speed and sandblasting action. -
Hailing from the former northern mining town of Wigan, between Manchester and Liverpool, the short-lived Electro Hippies were a band like no other, saluted as icons of crust punk and proto-grindcore. Following some cassette demos, a shared LP with Newcastle’s Generic and a Peel session, debut LP The Only Good Punk…Is A Dead One surfaced on Peaceville with twenty songs, all clocking in at under two minutes (around half being less than 60 seconds). Highly political, deeply ironic, and with a snatch of Black Sabbath in the mix, The Only Good Punk is the band at their blistering best, the peak that preceded their ultimate downfall.