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Previously released as "Fuck Peaceville", this is a re-release of Doom's re-recording of their earlier work after they fell out with Peaceville Records. Contains no new songs! (but 37 great re-recordings of that classic Doom era!). A top notch whirlwind of great crust punk from the master themselves!!!
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The twin guitar masterpiece of 90's Crust, a seminal album from Doom at the top of their game. Repressed for the first time in a decade, housed in a deluxe tip-on sleeve with 24'' x 36'' poster and a double sided 12'' x 24'' insert.
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War Crimes - Inhuman Beings is the 1988 debut release from influential UK Crust act Doom.
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This was release in 2001 but repress again in 2013. DOOM was a band which were pivotal in the rise of crust punk and originated from Birmingham. Doom continued with different guitarist, most notably with Dave Talbot who co-founded UK doom metal band SOLSTICE with SORE THROAT’s vocalist Rich Walker, but did not settle with four members for long playing numerous gigs as a three piece, as Pickering turned to vocal and guitar duties. This line up continued until a final split in August 1990. Following the group’s demise Pickering formed Police Bastard, whilst drummer Stick joined ENT then DIRT. This records still sound heavy, fuzzy, dirty and mean as hell!!!
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Stench/death/crust band from Volos, with members of Dirty Wombs, Nihilsect, Stheno, Faithreat. This is their awesome debut album.
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Excellent mix of hardcore, punk and NWOBHM – Motorhead-driven hardcore punk with some Iron Maiden and Japanese hardcore influences served with a Russian energy and anger added with some spices of Scandinavian hardcore.
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Sale!
In 2009, the pioneers of the Hard Core, straight edge prepares to unleash a firestorm of epic proportions proving that their message is more viable than ever.
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Five tracks of powerful Straight Edge Hard Core from these Nashville locals. If you're missing bands like THE FIRST STEP and YOUTH OF TODAY, look no further than ENOUGH. This is urgent, no frills youth crew Hard Core that leaves you wanting more.
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"Storm of Resentment'' is the concentrate of the UK anarcho Punk. Take what is best from it (the lyrics, the statements, the sound, the tempo, the anger and dedication) and add thrashy guitars to top it all. EOM prove you don't need to play very fast to be brutal.
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E.N.T. are back in 2015 with a new full length recorded last year. It's hard to believe this new masterpiece doesn't come from the same 1991 sessions as this is totally Phonophobia-core. This new self titled record sounds exactly as the old E.N.T. tunes.
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These tracks were recorded at same studio as Earslaughter in Dec '86. The first 2 songs(Side-A) have never been heard by ANYONE since and were never played live or released in anyway.
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The second instalment of The Warren of Snares trilogy from this fantastic band. To say the guys had moved on from their original sound is somewhat of an understatement. It was a bold musical change, as they had become such standard bearers of the UK/European crust punk ‘scene’ in such a short amount of time, via Owsla. Three mammoth 20+ minute tracks made up the record mixing their old sound with far more progressive metal & doom elements.
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Street punk pioneers Charged G.B.H. formed in Birmingham in 1978, the name referencing original bassist Sean McCarthy's trial for grievous bodily harm. The in-your-face hardcore of EP "Leather, Bristles, Studs And Acne," paved the way for super-charged debut LP, City Baby Attacked By Rats, which hit the number two position on the British indie charts on release in 1982, as well as the mainstream top 20, despite being released by tiny independent, Clay Records. With a touch of Motorhead and Sabbath beneath their straight-up hardcore, City Baby is where the legend begins, capturing G.B.H. at their bloodiest.
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After the chart-topping debut City Baby Attacked By Rats, Birmingham ‘UK82’ punk pioneers Charged G.B.H. cut City Baby’s Revenge, their second release for Clay Records, and even though a mere year had passed, City Baby’s Revenge showed significant progression, Jock’s guitar more obviously inspired by metal, the lyrics more explicit and the sound even rawer than before. With a cool take of the Stooges’ ‘I Feel Alright’ and the reggae/rockabilly-esque ‘Skanga,’ this acclaimed winner is the LP that broke the band in the USA and is arguably the best they ever recorded required listening for the band’s devotees and all fans of metal-edged hardcore.