• The Wolves are back!!! After the success of their latest "Anti-Tank Dogs" 7" the 5 Swedish maniacs decided it's time to repress their debut full length. The release comes with a great new layout and a restored sound that will be fatter and more powerful compared to the original one on a picture disc.
  • Out of stock
    Necrot continue their ascent to the forefront of American aural extremity, pushing the boundaries of style and continuing to recast metal in their image. Founded by bassist, vocalist and principal songwriter Luca Indrio and drummer Chad Gailey in 2011 – guitarist Sonny Reinhardt joined the next year – the Oakland, California, trio offer Lifeless Birth (in continued collaboration with Tankcrimes) as a culmination of their to-date efforts to encapsulate and push forward the deathly stylings of 2020’s Mortal and their 2017 debut, Blood Offerings.It’s not about giving up a ferocity that’s helped make them a household name among the converted. Instead, Necrot use that same, by-now-characteristic intensity as the backdrop for an expanded songwriting palette. They’ve always been a band who stood out. The maturity they show on Lifeless Birth confirms that’s been the plan all along. It is a vision of what metal can be and do in 2024, tearing down old barriers and keeping those traditional elements that make it stronger.Recorded with Grammy-winning producer Greg Wilkinson (who has helmed all three Necrot albums) and mastered by Brad Boatright at Audiosiege, Lifeless Birth pivots fluidly between technical intricacy, progressive poise and all-out brutality. Scouring lead work will have thrash heads nodding knowingly, and an overarching groove reaches out across the metal microgenres with a righteous call to worship. Its songs are memorable and varied, unpretentious but able to rear up with statelier violence. At the same time, “Drill the Skull,” “Cut the Cord,” “The Curse” and others prove that just because a song is beating you into the ground doesn’t mean it can’t also be forward-thinking. Or catchy.After having their Mortal tour plans scuttled owing to the covid pandemic, family health issues that led Luca, who became a US citizen in 2016 and currently lives in Mexico, to return to Italy for a time canceled what would have been their first tour post-plague. Still, despite this and Chad suffering a broken back, requiring multiple surgeries and intense physical therapy to be able to drum again, period, Luca being struck with Bell’s Palsy the night before he was originally due to fly to the studio to record, and Sonny requiring multiple surgeries on his hands in the months since they finished, Necrot charge forward with material distinguished in its real-world point of view and willingness to look beyond extreme metal tropes in lyrics, the melodies of its guitar solos, and unbridled audience engagement. For a collection of songs that feel so much written for the stage, it should be no surprise tours early in 2024 and summer festivals are to be announced.Mortal (2020, Tankcrimes) was #2 on Billboard’s Top New Artist chart, #30 on the Top Current Albums chart, #4 on the Current Hard Music, and #10 on the Heatseeker Albums chart for week of release. Necrot have toured in North America, Europe, Australia and Japan, and shared the stage with Cannibal Corpse, Immolation, The Black Dahlia Murder, Suffocation, Morbid Angel, and hundreds of others. Expect no letup as Lifeless Birth brings Necrot all the more to their own place among metal’s superlatively aggressive proliferators. – JJ Koczan 3rd full length album from Necrot. Vinyl housed in a golden foil stamped gatefold jacket. LIMITED EDITION ON NEON PURPLE COLORED VINYL.
  • Necrot continue their ascent to the forefront of American aural extremity, pushing the boundaries of style and continuing to recast metal in their image. Founded by bassist, vocalist and principal songwriter Luca Indrio and drummer Chad Gailey in 2011 – guitarist Sonny Reinhardt joined the next year – the Oakland, California, trio offer Lifeless Birth (in continued collaboration with Tankcrimes) as a culmination of their to-date efforts to encapsulate and push forward the deathly stylings of 2020’s Mortal and their 2017 debut, Blood Offerings.It’s not about giving up a ferocity that’s helped make them a household name among the converted. Instead, Necrot use that same, by-now-characteristic intensity as the backdrop for an expanded songwriting palette. They’ve always been a band who stood out. The maturity they show on Lifeless Birth confirms that’s been the plan all along. It is a vision of what metal can be and do in 2024, tearing down old barriers and keeping those traditional elements that make it stronger.Recorded with Grammy-winning producer Greg Wilkinson (who has helmed all three Necrot albums) and mastered by Brad Boatright at Audiosiege, Lifeless Birth pivots fluidly between technical intricacy, progressive poise and all-out brutality. Scouring lead work will have thrash heads nodding knowingly, and an overarching groove reaches out across the metal microgenres with a righteous call to worship. Its songs are memorable and varied, unpretentious but able to rear up with statelier violence. At the same time, “Drill the Skull,” “Cut the Cord,” “The Curse” and others prove that just because a song is beating you into the ground doesn’t mean it can’t also be forward-thinking. Or catchy.After having their Mortal tour plans scuttled owing to the covid pandemic, family health issues that led Luca, who became a US citizen in 2016 and currently lives in Mexico, to return to Italy for a time canceled what would have been their first tour post-plague. Still, despite this and Chad suffering a broken back, requiring multiple surgeries and intense physical therapy to be able to drum again, period, Luca being struck with Bell’s Palsy the night before he was originally due to fly to the studio to record, and Sonny requiring multiple surgeries on his hands in the months since they finished, Necrot charge forward with material distinguished in its real-world point of view and willingness to look beyond extreme metal tropes in lyrics, the melodies of its guitar solos, and unbridled audience engagement. For a collection of songs that feel so much written for the stage, it should be no surprise tours early in 2024 and summer festivals are to be announced.Mortal (2020, Tankcrimes) was #2 on Billboard’s Top New Artist chart, #30 on the Top Current Albums chart, #4 on the Current Hard Music, and #10 on the Heatseeker Albums chart for week of release. Necrot have toured in North America, Europe, Australia and Japan, and shared the stage with Cannibal Corpse, Immolation, The Black Dahlia Murder, Suffocation, Morbid Angel, and hundreds of others. Expect no letup as Lifeless Birth brings Necrot all the more to their own place among metal’s superlatively aggressive proliferators. – JJ Koczan 3rd full length album from Necrot. Vinyl housed in a golden foil stamped gatefold jacket. REGULAR EDITION ON BLACK VINYL.
  • HELLSHOCK: s/t (LP) AG-131

    16,00 incl. tax
    22 years, several ep’s and splits, 3 full lengths and countless tours around the globe, HELLSHOCK are still standing relevant and still playing some of the heaviest riffs in the world wide punk scene. Where most bands of the crust genre seem to lose the fire and filth or simply break up before their prime, this band seems to get more powerful with each release and this long awaited LP is no exception! This recording features the addition of Robbie Chronic from RIPPER on guitar who adds some real sick fucking solos on top of the established rolling crust riffage that the original core group had perfected years ago. Neck aching tempos, sheer brutality, growled anguished vocals, and epic song writing without straying from pure unadulterated crust. For the seasoned HELLSHOCK fan, you know you will already love this album and it will only exceed expectations. For the newcomer, if they were to ask “what is this crust/stenchcore thing about?”, I would point them to AMEBIX, DEVIATED INSTINCT, AXEGRINDER, and HELLSHOCK. The name deserves to be right beside the creators and masters. In another 20+ years this record will be regarded as one of the best crust records of the 2020’s, just as we look back at “Only the Dead Know the End Of War” as a defining record of the early 2000’s.
  • Last in the Disfear re issue series. Crushing Swedish hardcore originally released in 1997 and of print on vinyl ever since. Disfear combines the intensity and bleak anti war imagery of Discharge and early UK bands with the heaviness of Swedish Death Metal and Crust. The result is like a sledgehammer to the walls of ignorance and oppression built up around us by the system. A blast of raw anger and pure hardcore power. Full color gatefold.
  • Following the differences that saw the original group implode on the road in 1989, Cryptic Slaughter’s guitarist Les Evans moved to Portland, Oregon, where he formed a new band with former Wehrmarkt and Sweaty Nipples drummer Brian Lehfeldt, plus bassist Bret Davis and vocalist Dave Hollingsworth, both formerly in local hardcore band Crud. Now metal was much more prominent and hardcore on the wane, but there are still signature tempo changes, here within longer, more complex song structures, prefacing the industrial and post-thrash crossover acts to follow. An enduring swansong for all lovers of these metalcore innovators.
  • Crust / D-beat band from Greece (Thessaloniki).
  • Hardcore violence from Salonica! 6 new songs + their 2023 demo as a bonus. Black vinyl limited to 350 copies.
  • "Claws Of Despair" is officially out now, marking the return of Downwinder with a sophomore album of eight new tracks, devoted to the band's Crust Stenchcore roots blended with old-school Death Metal influences. Release date: March 29, 2024
  • Crust / D-beat band from Greece (Thessaloniki). This is the second release of the band.
  • Raw noise D-Beat destruction. 8 songs of pure mayhem + a Chaos UK cover. Black vinyl + mini poster, limited to 300 copies.
  • Celebrating the 30th anniversary of 1992 release "Droppin' Many Suckers" from the NYHC Pioneers Madball, with the remastered 7". Available in Black vinyl.
  • 2nd pressing, black vinyl, ltd 200, 5c 425gsm heavy cardboard cover, 12 page A4 booklet, mastered for vinyl by Patrick W. Engel at TEMPLE OF DISHARMONY in March 2017.
  • 2022 reissue, red/ white bi-color vinyl, ltd 300, high gloss 425gsm cardboard cover, lyric sheet, insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmonyy.
  • White/ brown splatter vinyl, ltd 100, 2 inserts, poster, Mastered for vinyl by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2022. FOR EUROPEANS ONLY!
  • 2021 reissue, grey/ red bi-color split vinyl, ltd 200, 425gsm heavy cardboard cover, lyric sheet, poster, mastered for vinyl by Patrick W. Engel/ Temple of Disharmony.
  • Pre-Order
    Piss yellow w/ black, white & red splatter vinyl, ltd 200, 425gsm heavy cardboard cover w/ front sheet, insert printed on uncoated paper, poster, A5 photo card, mastered by Patrick W. Engel at Temple of Disharmony.
  • Re-Issue des 2008 erschienen Albums "And Overdose of Death..." auf Custom Quad Color Vinyl Toxic Holocaust machen ihre Drohung wahr, auf ihrem Relapse-Debüt An Overdose of Death... den besten Metal diesseits des 21. Jahrhunderts zu entfesseln. An Overdose of Death... ist ein unaufhaltsamer Moloch aus ansteckenden Riffs, Punk-Attitüde und unvergesslichen Hymnen. Wenn du dich selbst als Fan von Metal, Punk oder einfach nur knallhartem Rock bezeichnest, dann ist dieses Album nichts weniger als ein Geschenk des Himmels.
  • Street punk pioneers Charged G.B.H. formed in Birmingham in 1978, the name referencing original bassist Sean McCarthy's trial for grievous bodily harm. The in-your-face hardcore of EP "Leather, Bristles, Studs And Acne," paved the way for super-charged debut LP, City Baby Attacked By Rats, which hit the number two position on the British indie charts on release in 1982, as well as the mainstream top 20, despite being released by tiny independent, Clay Records. With a touch of Motorhead and Sabbath beneath their straight-up hardcore, City Baby is where the legend begins, capturing G.B.H. at their bloodiest.
  • After the chart-topping debut City Baby Attacked By Rats, Birmingham ‘UK82’ punk pioneers Charged G.B.H. cut City Baby’s Revenge, their second release for Clay Records, and even though a mere year had passed, City Baby’s Revenge showed significant progression, Jock’s guitar more obviously inspired by metal, the lyrics more explicit and the sound even rawer than before. With a cool take of the Stooges’ ‘I Feel Alright’ and the reggae/rockabilly-esque ‘Skanga,’ this acclaimed winner is the LP that broke the band in the USA and is arguably the best they ever recorded required listening for the band’s devotees and all fans of metal-edged hardcore.
  • "Why" is the debut album by hardcore punk legends Discharge, originally released in 1981. Upon it's initial release it peaked at Number 1 in the UK indie album chart. When it comes to classic hardcore punk, Discharge are truly one of the all-time greats. They stood and still stand as clear innovators of the scene.
  • War Crimes - Inhuman Beings is the 1988 debut release from influential UK Crust act Doom.
  • But Wait, There's More is their first studio release in 15 years. D.R.I. is once again ready for Punk/Hardcore and Metal consumption!
  • But Wait, There's More is their first studio release in 15 years. D.R.I. is once again ready for Punk/Hardcore and Metal consumption!
  • This is the long out-of-print (on vinyl) LP that was made from the “Dirty Rotten EP.” The band realized, once they saw the prices on things, that to do their 22-song 7″ as a 12″ would only cost a little more. So, with that, D.R.I. did it and the “Dirty Rotten EP” became the “Dirty Rotten LP.”
  • Transparent ultra clear/ orange splatter vinyl, ltd 450, 425gsm heavy cardboard cover, printed inner sleeve, poster, bonus track "Lesbians", Original 1986 sound !!! Specially mastered for vinyl!!!
  • Grey/ red bi-color vinyl, ltd 300, 425gsm heavy cardboard cover, insert, poster, remastered by Patrick W. Engel/ Temple of Disharmony.
  • Black vinyl, ltd 200, lyric insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony.
  • Fire splatter vinyl, ltd 250, 425gsm heavy 5mm spine cover, lyric insert, poster, orange vinyl 3 track bonus 7" in separate p/s.
  • Transparent swamp green vinyl, ltd 500, 425gsm heavy cardboard cover, insert, printed inner sleeve, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1984 sound.
  • FOR EUROPEANS ONLY! Grey/ oxblood bi-color vinyl, ltd 250, lyric sheet, 4 page insert, poster, A5 photo card, 425gsm heavy card board cover, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate reissue of this eternal Thrash Metal classic! FOR EUROPEANS ONLY!
  • FOR EUROPEANS ONLY! Doublemint green vinyl, ltd 350, lyric sheet, 4 page insert, poster, A5 photo card, 425gsm heavy card board cover, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels. The ultimate reissue of this eternal Thrash Metal classic! FOR EUROPEANS ONLY!
  • Red vinyl, ltd 500, 425gsm heavy cardboard cover with 5mm spine, 2 inserts, poster, 2 track red vinyl bonus 7". Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2022. The ultimate audiophile reissue of this eternal US Speed Metal classic! Cutting by SST Germany on Neumann machines for optimal quality on all levels.
  • Bone/ doublemint bi-color vinyl, ltd 300, 425gsm heavy cardboard cover, printed inner sleeve, poster, A5 promo photo, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1987 sound.
  • Reissue 2023 black vinyl of ltd 300 in 425gsm heavy cardboard cover, printed inner sleeve, 2 posters, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1985 sound.
  • Reissue 2023 black vinyl of ltd 300 in 425gsm heavy cardboard cover, printed inner sleeve, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1986 sound.
  • The Art of Rebellion is the sixth studio album by American crossover thrash band Suicidal Tendencies, originally released in 1992. The album maintains its position as the band's most commercially successful studio album to date, and the songs "Nobody Hears" and "I'll Hate You Better" have the distinction of being the only top 40 hits in Suicidal Tendencies' career.
  • New Jersey thrash metal band Overkill were formed in 1984 and named themselves after a Motörhead album. They were one of the early trash metal bands to sign to a major label and started to become successful in the late '80s, when the genre became popular with bands like Anthrax, Exodus, Metallica, Megadeth, Slayer and Testament. Taking Over is the second studio album by the band and was originally released in 1987. It was their first album to be released through Atlantic, who would release all of the band's albums up to W.F.O. (released in 1994). The track "Wrecking Crew" is considered one of the band's signature songs and was chosen to be the title of the band's official website (wreckingcrew.com). Both "Wrecking Crew" and "In Union We Stand" are almost always included on the band's setlist.
  • Near Death Experience is the fourth album by New York hardcore legends Cro-Mags, originally released in 1993. It is, to date, the last album to feature vocalist John Joseph. The songs on the album deal with topics such as environmentalism, anti-abortion, and spirituality. After its release, the Cro-Mags had gone on hiatus for some time, experienced more lineup changes, and would not release their next album, Revenge, until seven years later!
  • "Alpha Omega" is the third album by New York hardcore legends Cro-Mags, originally released in 1992. The album gave us "The Other Side Of Madness," arguably one of the band's most well-known songs beyond its dedicated following. "Alpha Omega" is a piece of hardcore history that every fan must own.
  • 10 Greek bands compilation. Tracklist:
    1. Είσοδος Κινδύνου – Είσοδος Κινδύνου
    2. Era of Fear – Μίσος
    3. Cold i – Γράμμα στη Βενετία
    4. Cyclothymics – Όνειρο στον Κόσμο
    5. Chain Cult – Κράτος Φόβου
    6. Γεμάτος Αράχνες, ρε Φίλε! – Αρρωστημένη Κοινωνία
    7. Hekátē – Φώναξε
    8. Gay Anniversary – Μια Μηχανή
    9. Αρχή του Τέλους – Στον Απόηχο των Σκιών
    10. Doric – Ταλαντωτές σε Έξαρση
  • Reissue for the 2018 album by NYHC pioneers Sick Of It All. Wake the Sleeping Dragon is not sensitive, subtle, nuanced singer songwriter fare. Aggressive, angry and in your face old school Lower East Side hardcore punk. Sick Of It All have made another career and genre defining album. Don’t sleep on Wake the Sleeping Dragon.
  • Third D.R.I. album, originally released in 1987. This genre-defining album helped coin the term crossover and influenced hordes of punks around the globe that went on to form their own crossover/thrash/whatever bands. This is classic, metallic DRI thrash, hardcore and crossover.
  • Where do you go and what do you do when you achieve near legendary status with your debut album? In D.R.I.’s world, you release “Dealing With It!,” a record that infused their increasing technicality with a love of metal and the raw, fast as hell hardcore sound that they patented. Surpassing their debut was never going to be easy, but with their second album, D.R.I. managed to do just that in a maelstrom of vicious, catchy, cerebral hardcore and metal.
  • Out of stock
    DEATH‘s legendary 1987 debut Scream Bloody Gore is more than just an untouchable album – upon its release, it was positively genre-creating. Scream Bloody Gore founded the quintessential death metal sound, with more tormented riffs, screams, and leads than the world had ever imagined, and established Chuck Schuldiner’s inimitable phrasing and songwriting style as the most singular voice in the burgeoning genre. Today, the album is viewed unanimously as one of the all-time most important cornerstones of death metal.
  • Originally released circa 1996. Remastered by Brad Boatright. Essential, classic, crucial D-BEAT crust from the masters!
  • Originally released circa 1998. Remastered by Brad Boatright. Essential, classic, crucial, D-beat crust from the masters.
  • Originally released circa 1999. Remastered by Brad Boatright. Essential, classic, crucial D-BEAT crust from the masters!
  • Three decades ago, before the music industry began to colonize it, the do-it-yourself underground was a space of exodus and experimentation, often in violent opposition to the rest of the world. This was the context in which Catharsis appeared, one of a new wave of bands to meld metal drama with the raw urgency of hardcore punk. They quickly distinguished themselves by an almost self-destructive intensity and uncompromising anticapitalist ethic. Inverting Christian iconography to champion the struggle of the individual against a hostile cosmos, they took up the centuries-old banner No Gods, No Masters, extending this project of total defiance into their increasingly tumultuous lives. This apocalyptic orientation in turn informed their music, as they sought to hit upon the magic combination of words, harmonies, and rhythms that could spark a global conflagration. Catharsis broke up in 2002, following relentless touring on three continents and a final catastrophic five months in Europe. After a decade of watching the old records sell for absurd prices while bootleggers profited off substandard editions, we’ve finally taken it upon ourselves to offer a proper collection of their work. “Light from a Dead Star II.” includes their “Passion” LP, split LP’s w/ Gehenna and Newborn. It also includes the final Catharsis song, “Absolution,” recorded alongside “Arsonist’s Prayer” in their last session but never released. Packaged in a gatefold with oversize booklet offering all the original artwork.