• Voivod are a Canadian heavy metal band from Quebec that formed in 1982. They started out as a speed metal band, while adding a mix of progressive and thrash metal to create their own unique style. Highly influential Canadian prog. metal quartet continue to hone their distinctive blend of experimental speed-infused sci-fi to great effect on album number four. This definitive issue of Voivod's fourth album is a must-have item for any fan of this unique and ground-breaking Progressive Metal band.
  • 2022 reissue, red/ white bi-color vinyl, ltd 300, high gloss 425gsm cardboard cover, lyric sheet, insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmonyy.
  • Re-Issue des 2008 erschienen Albums "And Overdose of Death..." auf Custom Quad Color Vinyl Toxic Holocaust machen ihre Drohung wahr, auf ihrem Relapse-Debüt An Overdose of Death... den besten Metal diesseits des 21. Jahrhunderts zu entfesseln. An Overdose of Death... ist ein unaufhaltsamer Moloch aus ansteckenden Riffs, Punk-Attitüde und unvergesslichen Hymnen. Wenn du dich selbst als Fan von Metal, Punk oder einfach nur knallhartem Rock bezeichnest, dann ist dieses Album nichts weniger als ein Geschenk des Himmels.
  • Testament is often credited as one of the most popular and influential bands of the thrash metal scene. Their debut album The Legacy immediately made an impact when it was first released in 1987. Music critic Alex Henderson of All Music gave it 4.5 out of 5 stars, praising the record for its “thrash circles” and for being “a relentlessly heavy and promising effort focusing on such subjects as the occult, witchcraft, nuclear war, and global destruction”. It made many year-end lists including those of renowned metal publishers Metal Injection. Loudwire lists the album among the ten best thrash records that weren't released by The Big 4. The album spawned one single release, lead-off track “Over The Wall”, which the band still plays live during nearly every show they play and remains one of the most popular songs among fans.
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    This one is More metallic than their previous releases. A fine combination of thrashy intense, Slayerish riffs, mechanical drums and their Hard Core roots.
  • The Art of Rebellion is the sixth studio album by American crossover thrash band Suicidal Tendencies, originally released in 1992. The album maintains its position as the band's most commercially successful studio album to date, and the songs "Nobody Hears" and "I'll Hate You Better" have the distinction of being the only top 40 hits in Suicidal Tendencies' career.
  • American crossover thrash metal band Suicidal Tendencies was formed in 1980 by vocalist Mike Muir. To follow up on the success of their self-titled debut album, they released Join The Army in 1987. The album is arguably one of their most popular efforts and features the popular tracks “War Inside My Head”, “Possessed To Skate” and “Join The Army”. It was the first album to feature Rocky George on guitar and R.J. Herrera on drums, and the last recording with Louiche Mayorga on bass. Join The Army features the track “Human Guinea Pig”, which previously only appeared on CD. The vinyl package also includes an insert with lyrics.
  • FOR EUROPEANS ONLY! Grey/ oxblood bi-color vinyl, ltd 250, lyric sheet, 4 page insert, poster, A5 photo card, 425gsm heavy card board cover, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate reissue of this eternal Thrash Metal classic! FOR EUROPEANS ONLY!
  • White/ brown splatter vinyl, ltd 100, 2 inserts, poster, Mastered for vinyl by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2022. FOR EUROPEANS ONLY!
  • FOR EUROPEANS ONLY! Doublemint green vinyl, ltd 350, lyric sheet, 4 page insert, poster, A5 photo card, 425gsm heavy card board cover, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels. The ultimate reissue of this eternal Thrash Metal classic! FOR EUROPEANS ONLY!
  • 2021 reissue, grey/ red bi-color split vinyl, ltd 200, 425gsm heavy cardboard cover, lyric sheet, poster, mastered for vinyl by Patrick W. Engel/ Temple of Disharmony.
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    Greek super Metalcore band from Volos area, using two singers on stage! "Name your God" is Rafferty Rules first DIY cd, which is now available under a label.
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    Nightmare Logic has taken Power Trip’s classic Exodus-meets-Cro-Mags sound to new places. With hooks and tightness rivaling greats like Pantera or Pentagram and production by the esteemed Arthur Rizk, Nightmare Logic punishes fans not only sonically but with pure songwriting skill. The sophomore release and second on Southern Lord Records, raises the bar and pushes Power Trip to new extremes. Since 2013’s Manifest Decimation, the band admits they’ve not only gotten better at their instruments, but have also reinvented their songwriting process into a more nuanced and clever system. The shift shows on this record and does so without losing any of the aggression so essential to the band.
  • Drawing from the sacred texts of the Cro-Mags, Vio-lence, Leeway, Exodus, and Nuclear Assault, Texas savages Power Trip have unleashed their debut album with Southern Lord. They leave in their wake a multitude of crushed generic and feeble contemporaries. POWER TRIP don’t emulate they properly channel the old-school energy of the old cross-over gods and add their own brand of modern thrash warfare. “Manifest Decimation” was recorded/produced by Arthur Rizk (War Hungry, Mother of Mercy, Inquistion). The recording is absolutely face-peeling and will ensure maximum head-banging from the hordes.
  • The Years of Decay is the fourth studio album by thrash metal band Overkill, released on October 13, 1989 through Atlantic and Megaforce Records. It is the last Overkill album to feature guitarist Bobby Gustafson, who either left or was fired by the band amid a feud between himself and its founding members Bobby "Blitz" Ellsworth (vocalist) and D. D. Verni (bassist). The Years of Decay was also the first of two Overkill albums produced by Terry Date, who took on the same role for their follow-up album Horrorscope (1991).
  • New Jersey thrash metal band Overkill were formed in 1984 and named themselves after a Motörhead album. They were one of the early trash metal bands to sign to a major label and started to become successful in the late '80s, when the genre became popular with bands like Anthrax, Exodus, Metallica, Megadeth, Slayer and Testament. Taking Over is the second studio album by the band and was originally released in 1987. It was their first album to be released through Atlantic, who would release all of the band's albums up to W.F.O. (released in 1994). The track "Wrecking Crew" is considered one of the band's signature songs and was chosen to be the title of the band's official website (wreckingcrew.com). Both "Wrecking Crew" and "In Union We Stand" are almost always included on the band's setlist.
  • Transparent ultra clear/ orange splatter vinyl, ltd 450, 425gsm heavy cardboard cover, printed inner sleeve, poster, bonus track "Lesbians", Original 1986 sound !!! Specially mastered for vinyl!!!
  • Reissue 2018, transparent ultra clear vinyl, ltd 250, 425gsm heavy cardboard cover, insert, poster.
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    With ''Massive Aggressive'', Municipal Waste have upped the ante and pushed Crossover Thrash to its ultimate limit.
  • Transparent electric blue vinyl, ltd 200, high gloss 425gsm heavy cardboard cover, insert printed on uncoated paper, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony.
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    Piss yellow w/ black, white & red splatter vinyl, ltd 200, 425gsm heavy cardboard cover w/ front sheet, insert printed on uncoated paper, poster, A5 photo card, mastered by Patrick W. Engel at Temple of Disharmony.
  • Mentally Defiled is a Thrash Metal band from Athens/Greece. ''The Thrash Brigade'' brings an onslaught of 10 tracks. A mixture of Bay Area with European Thrash Metal, sometimes raw and fast, sometimes technical and mid-tempo. Lmtd to 250 copies.
  • Formed in Essen, Germany in 1982, Kreator are arguably the most influential and successful European thrash metal band ever, like many of their European speed metal brethren, Kreator fused Metallica's thrash innovations with Venom's proto-black metal imagery. Kreator has been referred to as one of the "Big 4" of Teutonic thrash metal, and they are often credited with helping pioneer death metal and black metal by containing several elements of what was to become those genres. The band has achieved worldwide sales of over two million units for combined sales of all their albums, making them one of the best-selling German thrash metal bands of all time. Kreator's style has changed several times over the years, from a Venom-inspired speed metal sound, later moving in to thrash metal, and including a period of transitioning from thrash to industrial metal and gothic metal throughout the 1990s. In the early 2000s, Kreator returned to their classic thrash sound, which has continued to the present. Pleasure to Kill, the second studio album by Kreator, was released in November 1986 originally by Noise Records. The lyrical themes follow those found on their first album. Unleashed in 1986 and still considered the band's first "classic" album, Pleasure to Kill raised the bar with more diversity of tempos and greater attention to technical execution, while losing nothing in terms of ferocity or speed. The band closed out the year with the Flag of Hate EP (named after a re-recorded version of their earliest hit) which is included on this version. Many death metal bands cite this album as an influence. Pleasure to Kill is widely considered a thrash classic. It is also considered a landmark album in the history of thrash metal along with Master of Puppets by Metallica, Reign in blood by Slayer and Darkness Descends by Dark Angel, all released in 1986.
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    KRANG: Broken Waves (7”) EXIST 137

    2,50 incl. tax
    This perfect record from Chicago Crust kings Krang is absolutely essential. On the faster end of Crust, there's not a second that gets spared in this quick whirlwind of a record. They combine politically minded, D-Beat Crust Punk with the high-energy riffage of Thrash.