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Pre-OrderΜορμώ (Mormo) is not new to this game. All members used to play in the legendary Greek crust band Dyspnea from Tyrnavos and they still carry the flame of that scene where back in the day bands like them, Xamos, The Malloy's Kids, Legal Pain, Social Security and others made noise and disrupted the quite life of this small rural town of central Greece. "Δυστοπία" (Greek for Dystopia) is their second album. Τhey have started a unique take on crust that centers on a more dark, esoteric and elegant sound that has transcended the constant d-beat pounding, fast paces and seer aggression of the genre with longer song structures, slower tempos, more complex songwriting and lots of atmosphere while still winking at the sound and aesthetics of beloved crust bands of the past. It’s like combining “Darker Days Ahead” by Tragedy with “Crack the Skye” by Mastodon, some black metal influences, krautrock rhythmic segments and lots of pagan myths of Thessaly. Μορμώ (Mormo) is doing to crust, is what Joy Division did to punk. -
Pre-OrderTHIS IS A PRE-ORDER! Your record will be available for pickup or will ship on or around mid April. This is where it all comes together! Greek street punk collides with Torgau Iro attacks. Honest, fast, melodic street punk. 2 songs per band on 300 copies limited vinyl. -
The second album for the band ''Tombs Of Hell'' is Finally OUT NOW!! 12 tracks of Disgusting Grinding Crust Punk in the vein of Terrorizer, Doom, Extreme Noise Terror, Disrupt etc. -
Pre-OrderTHIS IS A PRE-ORDER! Your record will be available for pickup or will ship on or around late April. Nobody could have ever guessed the trajectory that hardcore would have taken back when this movement was first formed. And in the early 2000s, nobody would have guessed that a band like TERROR would still be one of the most influential bands in the subgenre, 24 years after their start. Their aggression, coupled with a love and appreciation for the scene that so many have come and gone from, or even forgotten altogether, has let them thrive- now unveiling their tenth full length record, STILL SUFFER, releasing April 24th on Flatspot Records. Originating from Los Angeles, California, during a time when hardcore needed a band to smash things back to center as the genre found itself falling off track, TERROR rushed in, immediately made their mark and never let go. Working with producer (and former guitarist) Todd Jones, the band created ten fast, aggressive, in-your-face tracks that embrace the themes that made TERROR so influential in the first place. Songs about self empowerment, survival and an unrelenting will to face challenges head on with the values and support found within these walls. STILL SUFFER was rounded out with engineering and some additional production by Taylor Young at The Pit Recording Studio, mixing by Jon Markson, and mastering by Brad Boatright at Audiosiege, with additional vocal engineering by Jay Zubricky at GCR Audio, and drum engineering at Studio 606 by Taylor Young and Oliver Roman. Guest vocals on the album come from Jay Peta of Mindforce on “Beauty in the Losses,” Brody King of God’s Hate and Dan Seely of King Nine on “Deconstruct It,” along with Hot Water Music’s Chuck Ragan providing an assertive delivery on “Fear The Panic,” a song which was also co-produced by New Found Glory’s Chad Gilbert. From the start, TERROR has never turned their back on the things that made this band so vital since its inception. With the release of STILL SUFFER, it’s clear that the band has no sign of letting up, continuing to succeed on their mission to deliver hardcore authentic to themselves and to show the world that this is much more than just music. This community and movement that nobody can truly put into words, is the exact place the energy comes from that fuels TERROR to continue to build and grow with STILL SUFFER. -
Black vinyl, ltd 300, 425gsm heavy cardboard cover, printed inner sleeve, poster, bonus track "Lesbians", original 1986 sound!!! Specially mastered for vinyl!!! -
Thrash Zone is the fifth album by the American crossover thrash band D.R.I., released in 1989. It continues the thrash metal style of the previous album, 4 of a Kind. Thrash Zone was D.R.I.'s most successful album to date, and produced the song "Beneath the Wheel", which was made as a music video and received airplay on MTV. The song also was featured in the video game Skate 2. The album also contained the song "Abduction" which would also have a video made for it.- Insert, Download Card
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Limited Asia Tour Single! Greek Burning Spirits Hardcore "DIRTY WOMBS"! In August 2025, ASIA TOUR 7", a 2-song set in conjunction with the Southeast Asia~Japan tour, released exclusively by US/SPHC! A truly rough Japanese hardcore soul full throttle!! The sound makes you feel the traditional Japanese hardcore spirit more than Japan bands ! A hot-blooded hardcore punk that makes you think ! Dramatic and heroic guitar riffs are also thrown in, and the way it runs moderately metallic and powerful is Burning Spirits Hardcore itself ! The artwork is by Mr. SUGI, and the mix and mastering are finished by NOISEROOM, making it a perfect tour single! Burning Spirits ~ Japanese hardcore fans are by all means! -
Μετά από σχεδόν 30 χρόνια, επανακυκλοφορεί ο εμβληματικός δίσκος των Χαοτική Διάσταση «Δεν Περιμένω». Δεν πρόκειται απλώς για μια επανέκδοση, ούτε μόνο για ένα μουσικό ντοκουμέντο που αναβιώνει την ατμόσφαιρα και την ένταση της εποχής. Είναι η σύνδεση παρελθόντος και παρόντος για ένα άλμπουμ που άφησε το δικό του στίγμα στην ελληνική punk rock σκηνή και που, παρά την πάροδο των ετών, παραμένει διαχρονικό και ζωντανό. Είναι η απόδειξη πως κάποια πράγματα δεν ξεθωριάζουν. Είναι η συνέχεια μιας διαδρομής που δεν σταμάτησε ποτέ. Το άλμπουμ, που κυκλοφόρησε αρχικά το 1996 από τη Wipe Out Records, επιστρέφει με τη προσθήκη του τραγουδιού «Ο Θεατής», το οποίο είχε πρωτοεμφανιστεί στην ιστορική συλλογή «Το Μαγικό Βοτάνι». Κυκλοφορεί σε συνεργασία με την ΕΛ.Α.Σ. (Ελληνόφωνη Ανεξάρτητη Σκηνή). -
“The Force” is the second studio album by English metal pioneers Onslaught, originally released in 1986. Building on the raw intensity of Power From Hell, this release took their sound to new heights, earning its place as a classic among fans and critics alike. With relentless drumming, a diverse arsenal of razor-sharp riffs, and a commanding vocal performance, The Force delivered a defining statement of power and aggression. Its impact resonated across the scene, influencing bands like Exodus, Slayer, and Metallica, and leaving a lasting mark on the evolution of extreme music. -
“Power From Hell” is the debut studio album by British metal pioneers Onslaught, originally released in 1985. It explored the same dark and aggressive terrain as early Slayer and helped shape a sound that would later evolve into something even more extreme. With its raw intensity and relentless energy, the album became an important part of heavy music history, influencing and shaping the early works of legendary bands such as Exodus, Slayer, and Metallica. Nearly four decades later, “Power From Hell” remains a defining statement of its era.” -
Hailing from the former northern mining town of Wigan, between Manchester and Liverpool, the short-lived Electro Hippies were a band like no other, saluted as icons of crust punk and proto-grindcore. Following some cassette demos, a shared LP with Newcastle’s Generic and a Peel session, debut LP The Only Good Punk…Is A Dead One surfaced on Peaceville with twenty songs, all clocking in at under two minutes (around half being less than 60 seconds). Highly political, deeply ironic, and with a snatch of Black Sabbath in the mix, The Only Good Punk is the band at their blistering best, the peak that preceded their ultimate downfall. -
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In It For Life was the suitably titled 1989 LP by post-apocalyptic voltage mongrels Extreme Noise Terror and Filthkick, a Birmingham-based hardcore punk group, equally as championed by John Peel as ENT were. Work For Never and Damaging Noise performed here by the former to the same exhilarating degrees as Mount Vesuvius erupts is an unholy rumble of double-pronged vocal aggression and rampages of feedback that could burst boils not even formed yet. A vampire bullied into submission and burning in the sun. Filthkick follows with Cime Without A Name, an endless, ominous dirge before being mauled by a savage dog. Between The Lines jumping in and out of focus, but never losing any of its ferocity with blistering speed and sandblasting action. -
25 years in and Hellshock still have a lot to say and their sound is getting darker and heavier than ever. XXV dives deep into bleak, metallic stenchcore territory, blending their trademark crust foundation with Bolt Thrower-style riffing, somber melodies, and even the occasional synth touch that adds to the apocalyptic vibe. The production is massive, thick, heavy, but never over-polished. Everything hits hard: the guitars are crushing, the rhythm section is powerful, and the vocals bark with the usual visceral intensity. There’s an oppressive, almost funereal atmosphere running through the record that drags you down with it—and that’s a compliment. Hellshock kinda reinvent the wheel here creating something different that usual that I would define “progressive darkened stench core”. XXV is a fitting soundtrack for the end times: scary, powerful, and utterly uncompromising. American press by Black Water Records. Limited run of 500 copies. -
One of Britain’s most consistent and enduring death metal bands, Birmingham’s Bolt Thrower has weathered the best and worst of times in the extreme genre’s history without ever giving in to commercial temptations, or hardly even altering its sound. The fact that they were unusually blessed with a steady lineup throughout much of their career no doubt contributed to this stability, and though they were rarely bestowed wild praise for their efforts, with most of their competitors or contemporaries either adopting other styles or long retired, Bolt Thrower has gradually established itself as one of the best death metal bands ever to emerge from England. Those Once Loyal is the eighth and final album by the British death metal band Bolt Thrower. It was released in 2005. With Bolt Thrower deciding against releasing a follow-up to Those Once Loyal, it was Bolt Thrower’s final studio album before breaking up a year after drummer Martin Kearns’ death in September 2015. Like all of Bolt Thrower’s albums, Those Once Loyal deals with war, specifically World War I. The cover shows a World War 1 QF 18 pounder field gun and its crew in action and is based on an original WW1 photograph.The picture is also found on the back side of the Guards Memorial in St James’s Park in London.- Gatefold, including a poster
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One of Britain’s most consistent and enduring death metal bands, Birmingham’s Bolt Thrower has weathered the best and worst of times in the extreme genre’s history without ever giving in to commercial temptations, or hardly even altering its sound. The fact that they were unusually blessed with a steady lineup throughout much of their career no doubt contributed to this stability, and though they were rarely bestowed wild praise for their efforts, with most of their competitors or contemporaries either adopting other styles or long retired, Bolt Thrower has gradually established itself as one of the best death metal bands ever to emerge from England. Those Once Loyal is the eighth and final album by the British death metal band Bolt Thrower. It was released in 2005. With Bolt Thrower deciding against releasing a follow-up to Those Once Loyal, it was Bolt Thrower’s final studio album before breaking up a year after drummer Martin Kearns’ death in September 2015. Like all of Bolt Thrower’s albums, Those Once Loyal deals with war, specifically World War I. The cover shows a World War 1 QF 18 pounder field gun and its crew in action and is based on an original WW1 photograph.The picture is also found on the back side of the Guards Memorial in St James’s Park in London.- Gatefold, including a poster
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Originally released in 1990, this is a highly sought after third studio album from genre-leading giants... Napalm Death. A totally revamped sound from the first two records (Scum & FETO). Harmony Corruption sees an evolution away from grindcore and blast beats towards a more expansive death metal sound. Recorded at Morrisound Recording in Tampa, Florida famed for the recording of many classic death metal albums. Includes fan favourite ‘Suffer The Children’. -
To celebrate the 30th Anniversary of its release in 1995, Roadrunner Records is making available again the sixth album by legendary Florida metallers Death on vinyl. “Symbolic” received widespread critical acclaim when it was originally released and has been regarded as one of the greatest death metal albums of all time. -
Where do you go and what do you do when you achieve near legendary status with your debut album? In D.R.I.’s world, you release “Dealing With It!,” a record that infused their increasing technicality with a love of metal and the raw, fast as hell hardcore sound that they patented. Surpassing their debut was never going to be easy, but with their second album, D.R.I. managed to do just that in a maelstrom of vicious, catchy, cerebral hardcore and metal. -
Mercenary is the sixth album by the British death metal band Bolt Thrower. It was recorded at Chapel Studios, Lincoln, England, December 1997 to January 1998. The album was produced by Bolt Thrower and Ewan Davis. It was released on Metal Blade Records in 1998. The cover painting is titled "Contact – Wait Out", which is also the first track on the next album, "Honour – Valour – Pride". "Powder Burns" is a continuation of the song "Embers" from The IVth Crusade, and leads into "The Killchain" on Those Once Loyal. -
Formed in 1985, Oakland thrashers Vio-Lence helped define and refine what came to be known as the Bay Area sound. Eternal Nightmare originally debuted on June 27th, 1988, and is widely regarded as a thrash masterpiece in the world of heavy music. On 10/28/2022 Metal Blade Records is proud to reissue this seminal crusher. -
Mercyful Fate EP is the band's debut released, isssued in 1982. Metal Blade Records, reissue 2020. -
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Conspiracy is the fourth studio album by Danish heavy metal band King Diamond, and the second part of a story that began on the album Them. Conspiracy was released on 21 August 1989 through Roadrunner Records, and is the last album to feature drummer Mikkey Dee who left the group but recorded the album as a session member. Metal Blade Records, reissue 2020, 180g black vinyl, insert. -
Abigail is a horror-themed concept album released in 1987 by heavy metal band King Diamond, led by the musician of the same name. It is the second overall album and first ever concept album in their discography (or at least in King Diamond’s solo discography, for he has been making several albums with Mercyful Fate at this time). The story revolves around a man named Jonathan La'Fey and his newlywed wife Miriam Natias as they, against the warnings expressed by seven mysterious horsemen, move in to a dark and gloomy mansion that Jonathan inherited. The night of their move, he’s visited by the ghost of his relative, Count de La'Fey. The Count shows Jonathan to a vault holding the sarcophagus of Abigail La'Fey, the stillborn illegitimate child of The Count’s unfaithful wife, who both died 68 years previous. It’s then revealed by The Count that Abigail’s spirit has taken hold of Miriam’s soul, and will soon be reborn unless he takes her life. Abigail is considered to be one of the best and most influential albums in metal, especially for one with a horror theme as well-executed as this. It’s also one of their highest-selling albums ever, selling over 175,000 copies in North America alone and becoming the first album under Roadrunner Records to break through the Billboard 200. -
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Technocracy is an EP by American band Corrosion of Conformity. It was released in 1987. Metal Blade Records, reissue 2022, black vinyl, 8 page booklet, download card. -
Animosity is the second studio album by American band Corrosion of Conformity. It was released on October 25, 1985. The album cover art was done by artist Pushead. Animosity was nonetheless a crucial stylistic lynchpin in the bridge between metal and punk.