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The COLD I trip started 10 years ago. At 2019 their drummer Christos left the band for personal reasons and he was replaced by Vaggelis. The current line up is Fotis (vocals), Aggelos (guitar), Dimitris (bass) and Vaggelis (drums). With the new line up at 2021, the band stormed the studio to record their third full length (Μέρες Νεκρές) which continues the quest at their beloved post punk/cold wave genres. “Μέρες Νεκρές” pressed at 287 copies. -
"Out of Hand" is the third album of these legendary Belgian crust punks and their first new recording since 1996's "self titled (the brain)" MLP on Skuld Releases. The album contains 12 new and one re-recorded track. and you can be sure that HIATUS did not lost any of their power and musical ferocity. Artwork by Ben. -
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"... to Revolt!" - The 1993 debut full-length of Belgium's crust punk institution HIATUS! Originally released by the legendary Sound Pollution Records of Hellnation's Ken Hansford. The original release was a quite hard to find item for decades, until now twenty-nine years after its initial release and 12 months at the pressing plant we present you the official reissue of this Euro-Crustpunk classic. Packed with 16 tracks of fast, raw and powerful scandi-crust infused hardcore punk with incredible force behind it's production. The sound of HIATUS was massively influenced by the likes of DOOM and ANTI-CIMEX but with a dash of hardrock-esque mid-tempo lines thrown in here and there to lay the foundation that will become the unmistakable unique HIATUS style. The range of lyrical topics is shockingly still too relevant even three decades later. Poverty, Police Violence, Fascism, Sexists, Warmonger, Drug abuse, Animal rights, Sell outs... like nothing has changed at all! Includes a double sided lyric sheet and a bonus poster. All artwork has been restored as close to the original as possible. -
Back2023 Repress! - Black Vinyl! - The unparalleled Swedish giants of modern metallic d-beat, Martyrdöd, return this November with their sixth full-length of endlessly fascinating, devastatingly different crust, List, once again through La Famila, D-Takt & Rapunk and Southern Lord, as with 2014’s Elddop. In a scene overabundant with clones of the founding/front running acts of the genre, Martyrdöd manage to remain heavily unique in their filth-ridden approach. While undeniably influenced by acts like Anticimex, Bathory, and Totalitär, the band intertwines their crust roots with sinister, haunting soundscapes and unique blackened riff attacks. List is the band's third release on the label. The music here is as raw as it is powerful, with eerie melodies whirring around a storm of sonic shrapnel. -
BackDisfear’s classic 4th album originally released 2003 reissued on vinyl again. 13 songs of crushing Scandinavian HC at its best. Comes in a nice thick gatefold cover – nuff said? -
BackOfficial re-release! Comes in 350 gram inside/out sleeve with 400 gram lyric sheet! Adding Entombed guitarist Uffe Cederlund to a group that already features At the Gates singer Tomas Lindberg has created a death'n'roll supergroup - and one of the best heavy records of 2008. Converge guitarist Kurt Ballou produces. For those who are unfamiliar with Disfear, it is basically a mix of a lot of hardcore punk with a lot of metal to create a product that is simply loud, in your face and unrelenting. Disfear fit that description perfectly. "Live The Storm" is a 35 minute assault of heavy power chords, pounding drums and bass, layered with southern sounding leads and throat wrenching yells. Disfear deliver one hell of an intense ride. "Live The Storm" doesn’t let up from the start of the southern tinged "Get It Off" until the end of the 7 minute explosion that is "Phantom". The band leaves no cracks in their wall of sound and come out sounding powerful and extremely energizing. This is a must for anyone who loves intense and unrelenting music. -
BackOfficial re-release! Black vinyl! - Disfear are from Sweden, born from the ashes of Anti-bofors. In October 1992 the band recorded their eponymous debut EP in Sunlight Studios under the guidance of famed Entombed-producer Tomas Skogsberg. Encouraged by the overwhelming response, Disfear went back to Sunlight and cut the classic ''A Brutal Sight Of War''. With a DIS in the name is very clear what these dudes are about: on ''A Brutal Sight Of War'' they deliver nine tracks of Discharge-ish d-beat Crust/Hardcore with harsh toxic vocals, discore riffs and fast tempos. Finally, after 14 years available on vinyl again. Comes in 350 gram inside/out sleeve with 400 gram lyric sheet and 180 gram vinyl! -
The second instalment of The Warren of Snares trilogy from this fantastic band. To say the guys had moved on from their original sound is somewhat of an understatement. It was a bold musical change, as they had become such standard bearers of the UK/European crust punk ‘scene’ in such a short amount of time, via Owsla. Three mammoth 20+ minute tracks made up the record mixing their old sound with far more progressive metal & doom elements. -
ANGRY GOD is the first new material of the M-town Rebels since 2016 and the band’s first full-length in well over a decade! To say this release is very much anticipated is therefore an understatement. Luckily BACKFIRE! lives up to the expectations and releases it’s strongest, most explosive record to date! Never before the Gods of European hardcore delivered an album on which they sounded so old school and typically BACKFIRE! on one hand, but as refreshing and renewing as they do on the other hand. Going strong for nearly 3 decades already, but the band still manages to reinvent itself on ANGRY GOD and does so with anger and style! The band has announced this album will be their testimony and final release ever. ANGRY GOD is their most darkest and personal album to date and the crown on their 30 year carreer span. The album was realized with the help of some old friends and partners in crime. Former drummer and now producer Igor is responsible for the album’s massive and heavy production. Oeds (The Devil’s Blood, Molassess) co-wrote the magnificent instrumental title-track. And Merijn (Sparrow Falls, The Young Ones) and Erick (Live By The Sword, Strongarm And The Bullies) perform guest vocals on respectively “Empty Shell” and “Black Hole”. -
ANGRY GOD is the first new material of the M-town Rebels since 2016 and the band’s first full-length in well over a decade! To say this release is very much anticipated is therefore an understatement. Luckily BACKFIRE! lives up to the expectations and releases it’s strongest, most explosive record to date! Never before the Gods of European hardcore delivered an album on which they sounded so old school and typically BACKFIRE! on one hand, but as refreshing and renewing as they do on the other hand. Going strong for nearly 3 decades already, but the band still manages to reinvent itself on ANGRY GOD and does so with anger and style! The band has announced this album will be their testimony and final release ever. ANGRY GOD is their most darkest and personal album to date and the crown on their 30 year carreer span. The album was realized with the help of some old friends and partners in crime. Former drummer and now producer Igor is responsible for the album’s massive and heavy production. Oeds (The Devil’s Blood, Molassess) co-wrote the magnificent instrumental title-track. And Merijn (Sparrow Falls, The Young Ones) and Erick (Live By The Sword, Strongarm And The Bullies) perform guest vocals on respectively “Empty Shell” and “Black Hole”.
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Including covers by SLAYER, CRO-MAGS, SIDE BY SIDE and of course WARZONE! As a bonus included two bonus-tracks on the B side that first appeared on the second volume of the notorious “M-TOWN REBELS II – AMONG THE ANGELS” compilation, for some more old school BACKFIRE! action with the superb “Down For The Cause” and a BOLD cover! “CHOOSE MY OWN PATH” was originally released on CD by KINGfisher and is now available for the first time ever on vinyl, issued under exclusive license from Century Media Records. 150 CLASSIC BLACK VINYL. -
As a warm-up for this years upcoming brandnew BACKFIRE! album ANGRY GOD, Rebellion Records brings you an ultra limited slab of wax containing the very first recordings ever by this legendary hardcore band from Maastricht, NL. 2 demo tracks recorded by the band themselves in 1994 that were never released before! The B side contains 4 previously unreleased live tracks recorded at a show in Rennes, France in 1996. Comes in an old school layout with some old band pictures on the back-cover. Bound to be a collectors item. 250 Black vinyl. -
Second album for the band. Extreme blackened hardcore / crust at it’s best! -
American thrash metal band Whiplash released their debut album Power And Pain in 1986 on the Roadrunner label. The backing vocals were recorded by Rob Kabula & Vinny Stigma of Agnostic Front and Peter Steele & Louie Beateaux of Carnivore. The band has been centred around guitarist and vocalist Tony Portaro, but are also notable for their drummer Tony Scaglione, who left the band after the album release to tour with Slayer. Power And Pain is available as a limited edition of 2000 individually numbered copies on silver coloured vinyl and includes an insert. -
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Fourth studio album from Venice Beach, L.A. heavyweights Suicidal Tendencies. Album opener and unmistakable anthem "You Can't Bring Me Down" - S.T.'s rally against vicious rumours and their notorious ban from playing public places in L.A. - sets the tone for the record, with 'Cyco' Mike Muir's lyrics of social commentary handled with intelligence, humour and a punk rock middle-finger. Lights Camera Revolution boasts the line-up now deemed classic. Suicidal's flirtation with the mainstream (complete with obligatory criticism of 'selling-out') went Gold in the US with over half a million copies sold, and to this day remains an essential record in any Metal or Punk collection. -
The English heavy metal band Satan was founded in 1979 and are part of the so-called new wave of British heavy metal movement (NWOBHM). Their debut album Court In The Act boasts a unique heaviness that outweighs what many extreme metal albums are capable of providing to the listener. Its savage and monstrous guitar work is what makes the difference if compared to other releases brought out during the NWOBHM, add in the drumming from Sean Taylor and you have an album that should not been overseen by any metal/ hard rock fan. The album is available as a limited edition of 1000 individually numbered copies on gold coloured vinyl and includes an insert. -
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New Jersey thrash metal band Overkill were formed in 1984 and named themselves after a Motörhead album. They were one of the early trash metal bands to sign to a major label and started to become successful in the late '80s, when the genre became popular with bands like Anthrax, Exodus, Metallica, Megadeth, Slayer and Testament. Taking Over is the second studio album by the band and was originally released in 1987. It was their first album to be released through Atlantic, who would release all of the band's albums up to W.F.O. (released in 1994). The track "Wrecking Crew" is considered one of the band's signature songs and was chosen to be the title of the band's official website (wreckingcrew.com). Both "Wrecking Crew" and "In Union We Stand" are almost always included on the band's setlist. -
The American heavy metal outfit Metal Church has been making music since 1980 and is led by Kurdt Vanderhoof. They released a total of twelve studio albums, including the second The Dark, which originally came out in 1986. It was their last album to feature the “classic” line-up of David Wayne, Kurdt Vanderhoof, Kirk Arrington, Duke Erickson and Craig Wells. The Dark features somber themes like assassination, death and the supernatural. It was produced by Mark Dodson, who is best known for producing albums by Anthrax and Suicidal Tendencies. The album features the singles “Start The Fire” and “Watch The Children Pray”, and fan favourites “Ton Of Bricks” and “Over My Dead Body”.
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BackNightmare Logic has taken Power Trip’s classic Exodus-meets-Cro-Mags sound to new places. With hooks and tightness rivaling greats like Pantera or Pentagram and production by the esteemed Arthur Rizk, Nightmare Logic punishes fans not only sonically but with pure songwriting skill. The sophomore release and second on Southern Lord Records, raises the bar and pushes Power Trip to new extremes. Since 2013’s Manifest Decimation, the band admits they’ve not only gotten better at their instruments, but have also reinvented their songwriting process into a more nuanced and clever system. The shift shows on this record and does so without losing any of the aggression so essential to the band. -
BackDrawing from the sacred texts of the Cro-Mags, Vio-lence, Leeway, Exodus, and Nuclear Assault, Texas savages Power Trip have unleashed their debut album with Southern Lord. They leave in their wake a multitude of crushed generic and feeble contemporaries. POWER TRIP don’t emulate they properly channel the old-school energy of the old cross-over gods and add their own brand of modern thrash warfare. “Manifest Decimation” was recorded/produced by Arthur Rizk (War Hungry, Mother of Mercy, Inquistion). The recording is absolutely face-peeling and will ensure maximum head-banging from the hordes. -
Back- Ορυμαγδός (Pronounced as Orimagdos, and means loud noise) is Athens/Greece OneMan roadroller, with a little help from Vaggelis/Paroxysmos who played as a guest drums on this one. 10 tracks of filthy and hellish metal/punk in the vein Venom/Midnight/Warfare/GBH. 400 hand-numbered copies.
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BackA face-breaking collection of metal/hardcore crossover acts compiled by aggro-music authority KATON DE PENA (HIRAX). You get moshed into the ground with tracks from HIRAX, THE ACCUSED, MUNICIPAL WASTE, VOETSEK, and TOXIC NARCOTIC. -
Obituary's death metal debut album Slowly We Rot was a ground-breaking release at the end of the 1980s. As one of the pioneers of this genre, they created a heavy album where everything was monstrous. From their down-tuned guitar riffs, deep growls and moans and distinct tempo changes. The songs are often slowing down to a doomy tempo, a revolutionary thing at the time of release. Slowly We Rot is inspired brilliance, where the meaning of the title is illustrated in the music and lyrics. Overall, you're in for one hell of a package with this album, as this is the true classic from the death metal. The Floridian death metal band Obituary is one of the most successful death metal bands of all time. With the exception of their 1997-2003 split, they continue to perform live around the world. Obituary is available as a limited edition of 2000 individually numbered copies on coloured (solid yellow & transparent green mixed) vinyl.- 180 gram audiophile vinyl
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Keeper of the Seven Keys Part I is the second studio album by Helloween, released in 1987. It marks the first appearance of vocalist Michael Kiske, and is considered the album that created the genre of European-style power metal. It was an album dominated by guitarist Kai Hansen, due to an injury to co-guitarist Michael Weikath which prevented him from performing on much of the album. The band originally planned to release Keeper of the Seven Keys Part I and Part II as a double album, but their record label refused, insisting that the albums be released separately. Helloween is a German power metal band founded in 1984 in Hamburg, Northern Germany. The band is a pioneering force in the power metal genre. Twelve musicians have been a part of the band's line-up in it's history. -
Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.