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Βανδαλούπ was formed in Thessaloniki, Greece, in 1990. This tribute compilation is dedicated to Βανδαλούπ and Ζώα Προς Εξαφάνιση (originally started as Βανδαλούπ but in 2000 and after some changes in their line-up, they change their name). -
Limited Asia Tour Single! Greek Burning Spirits Hardcore "DIRTY WOMBS"! In August 2025, ASIA TOUR 7", a 2-song set in conjunction with the Southeast Asia~Japan tour, released exclusively by US/SPHC! A truly rough Japanese hardcore soul full throttle!! The sound makes you feel the traditional Japanese hardcore spirit more than Japan bands ! A hot-blooded hardcore punk that makes you think ! Dramatic and heroic guitar riffs are also thrown in, and the way it runs moderately metallic and powerful is Burning Spirits Hardcore itself ! The artwork is by Mr. SUGI, and the mix and mastering are finished by NOISEROOM, making it a perfect tour single! Burning Spirits ~ Japanese hardcore fans are by all means! -
Μετά από σχεδόν 30 χρόνια, επανακυκλοφορεί ο εμβληματικός δίσκος των Χαοτική Διάσταση «Δεν Περιμένω». Δεν πρόκειται απλώς για μια επανέκδοση, ούτε μόνο για ένα μουσικό ντοκουμέντο που αναβιώνει την ατμόσφαιρα και την ένταση της εποχής. Είναι η σύνδεση παρελθόντος και παρόντος για ένα άλμπουμ που άφησε το δικό του στίγμα στην ελληνική punk rock σκηνή και που, παρά την πάροδο των ετών, παραμένει διαχρονικό και ζωντανό. Είναι η απόδειξη πως κάποια πράγματα δεν ξεθωριάζουν. Είναι η συνέχεια μιας διαδρομής που δεν σταμάτησε ποτέ. Το άλμπουμ, που κυκλοφόρησε αρχικά το 1996 από τη Wipe Out Records, επιστρέφει με τη προσθήκη του τραγουδιού «Ο Θεατής», το οποίο είχε πρωτοεμφανιστεί στην ιστορική συλλογή «Το Μαγικό Βοτάνι». Κυκλοφορεί σε συνεργασία με την ΕΛ.Α.Σ. (Ελληνόφωνη Ανεξάρτητη Σκηνή). -
Hailing from the former northern mining town of Wigan, between Manchester and Liverpool, the short-lived Electro Hippies were a band like no other, saluted as icons of crust punk and proto-grindcore. Following some cassette demos, a shared LP with Newcastle’s Generic and a Peel session, debut LP The Only Good Punk…Is A Dead One surfaced on Peaceville with twenty songs, all clocking in at under two minutes (around half being less than 60 seconds). Highly political, deeply ironic, and with a snatch of Black Sabbath in the mix, The Only Good Punk is the band at their blistering best, the peak that preceded their ultimate downfall. -
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How many bands can say they had multiple debut albums? For crustcore sound terrorists Extreme Noise Terror, Holocaust In Your Head – The Original Holocaust, first recording version, continues to excuse itself in being reissued for what must be the last time before the last time. It’s no wonder why. We The Helpless is every bit as hopeless as it sounds – a blitzkrieg of wails and nightmarish sonics that tighten themselves around the temples until the eyes turn white. Statement will always stand on its own two feet as a perfect set opener and Innocence to Ignorance’s unhinged atmospheric armageddon as well as Use Your Mind’s sample-sprung assault on the senses are possible indications of where the band could’ve wound up had their line-up not been walking such a shaky tightrope. Rough as hell? Sure. But if you want to know what it feels like to have the signal input of your skull reflect a separation in the grounding circuit of the flesh from the neck down, then carry on screaming. -
In It For Life was the suitably titled 1989 LP by post-apocalyptic voltage mongrels Extreme Noise Terror and Filthkick, a Birmingham-based hardcore punk group, equally as championed by John Peel as ENT were. Work For Never and Damaging Noise performed here by the former to the same exhilarating degrees as Mount Vesuvius erupts is an unholy rumble of double-pronged vocal aggression and rampages of feedback that could burst boils not even formed yet. A vampire bullied into submission and burning in the sun. Filthkick follows with Cime Without A Name, an endless, ominous dirge before being mauled by a savage dog. Between The Lines jumping in and out of focus, but never losing any of its ferocity with blistering speed and sandblasting action. -
25 years in and Hellshock still have a lot to say and their sound is getting darker and heavier than ever. XXV dives deep into bleak, metallic stenchcore territory, blending their trademark crust foundation with Bolt Thrower-style riffing, somber melodies, and even the occasional synth touch that adds to the apocalyptic vibe. The production is massive, thick, heavy, but never over-polished. Everything hits hard: the guitars are crushing, the rhythm section is powerful, and the vocals bark with the usual visceral intensity. There’s an oppressive, almost funereal atmosphere running through the record that drags you down with it—and that’s a compliment. Hellshock kinda reinvent the wheel here creating something different that usual that I would define “progressive darkened stench core”. XXV is a fitting soundtrack for the end times: scary, powerful, and utterly uncompromising. American press by Black Water Records. Limited run of 500 copies. -
Where do you go and what do you do when you achieve near legendary status with your debut album? In D.R.I.’s world, you release “Dealing With It!,” a record that infused their increasing technicality with a love of metal and the raw, fast as hell hardcore sound that they patented. Surpassing their debut was never going to be easy, but with their second album, D.R.I. managed to do just that in a maelstrom of vicious, catchy, cerebral hardcore and metal. -
Technocracy is an EP by American band Corrosion of Conformity. It was released in 1987. Metal Blade Records, reissue 2022, black vinyl, 8 page booklet, download card. -
Animosity is the second studio album by American band Corrosion of Conformity. It was released on October 25, 1985. The album cover art was done by artist Pushead. Animosity was nonetheless a crucial stylistic lynchpin in the bridge between metal and punk. -
It’s been six long years since we last heard new music from Σκοτοδίνη (Skotodini, meaning vertigo, fainting spell, or dizziness in Greek). Near the end of November 2024, this anarcho-punk band from Ioannina, Greece, unveiled their third record—and first since their remarkable self-titled LP of 2018. Εδώ Παραμένω (Edo Parameno, meaning “Here I Stay”), once again highlights their refined yet forceful approach to political and dark punk, reminding us why they rank among the most significant acts in today’s DIY scene in Greece—and the anarcho-punk scene as a whole. Over its 23-minute runtime, Εδώ Παραμένω evokes a plethora of moods, thoughts, and emotions while strictly staying true to the band’s established sound. From the album’s eight tracks, it’s evident that Σκοτοδίνη dig deeper into their gloomy basslines and eerie post-punk chord progressions, with the instrumental trio tighter than ever, and Penelope’s vocals captivating throughout. Their music channels an existential angst deeply rooted in the current socioeconomic dead end. Throughout their dark punk style, Σκοτοδίνη never lose sight of the true liberating power of art and DIY anti-culture, channeling it to dance away the demons of everyday life. -
Youth Crusher 10 years anniversary first two tapes on vinyl. The record is now available. A portion of the profits will be donated to the fund for imprisoned comrades. -
Stress returns 11 years after the reissue of “The Sound of Insecurity” with their new E.P. “Think Before It’s Too Late” on 10″ vinyl. All songs come from Stress’s 80s recordings, for a tribute to the meeting of punk with Ska and Dub Reggae sounds, which flirts with the spirit of the 80s. A re-recording of three tracks on a 10″ vinyl edition. A3 is a cover of “Too much pressure” by Selecter, with a free translation of the lyrics by Panagiotis Skordas. -
Stress returns 11 years after the reissue of “The Sound of Insecurity” with their new E.P. “Think Before It’s Too Late” on 10″ vinyl. All songs come from Stress’s 80s recordings, for a tribute to the meeting of punk with Ska and Dub Reggae sounds, which flirts with the spirit of the 80s. A re-recording of three tracks on a 10″ vinyl edition. A3 is a cover of “Too much pressure” by Selecter, with a free translation of the lyrics by Panagiotis Skordas. -
New record from Athens’s Rampage. 12 songs in good old hc/punk style. -
Reissue of the first album in Limited Red Vinyl (199 copies). -
Life Knife Death, from the veteran Swedish hardcore punk band Wolfbrigade, is the follow-up album to 2019’s The Enemy: Reality. Formed in 1995 in the small Swedish city of Mariestad by key players from Sweden's legendary hardcore scene, Wolfbrigade (known as Wolfpack until 1999) remain among Scandinavia's most respected, influential and reliable purveyors of real-world brute-force hullabaloo. On this eleventh album, the niftiest skills honed to a fine edge over 30 years are dispatched with greater style and intensity than ever. Most immediately, there's the sheer velocity and barely-controlled rage pumping through dynamic d-beaten blood-shakers like Ways To Die and Your God Is A Corpse, the furious attack assisted to heart-fluttering greatness by a newly loosened sense of raucous spontaneity. "We didn’t really rehearse any of the songs on this album,"the band reveals. "We tend to overwork and overanalyze everything that we do, and sometimes we get lost in that process. This time we wanted to go rough, to capture the raw essence of the song when it’s just out of the womb. All the blood and gore." Mounting global chaos may have us all darkly fearing the end times, but it has also seemingly created the ideal circumstances for a hardcore punk LP as coruscatingly brutal as Wolfbrigade's “Life Knife Death”. -
Life Knife Death, from the veteran Swedish hardcore punk band Wolfbrigade, is the follow-up album to 2019’s The Enemy: Reality. Formed in 1995 in the small Swedish city of Mariestad by key players from Sweden's legendary hardcore scene, Wolfbrigade (known as Wolfpack until 1999) remain among Scandinavia's most respected, influential and reliable purveyors of real-world brute-force hullabaloo. On this eleventh album, the niftiest skills honed to a fine edge over 30 years are dispatched with greater style and intensity than ever. Most immediately, there's the sheer velocity and barely-controlled rage pumping through dynamic d-beaten blood-shakers like Ways To Die and Your God Is A Corpse, the furious attack assisted to heart-fluttering greatness by a newly loosened sense of raucous spontaneity. "We didn’t really rehearse any of the songs on this album,"the band reveals. "We tend to overwork and overanalyze everything that we do, and sometimes we get lost in that process. This time we wanted to go rough, to capture the raw essence of the song when it’s just out of the womb. All the blood and gore." Mounting global chaos may have us all darkly fearing the end times, but it has also seemingly created the ideal circumstances for a hardcore punk LP as coruscatingly brutal as Wolfbrigade's “Life Knife Death”. -
Life Knife Death, from the veteran Swedish hardcore punk band Wolfbrigade, is the follow-up album to 2019’s The Enemy: Reality. Formed in 1995 in the small Swedish city of Mariestad by key players from Sweden's legendary hardcore scene, Wolfbrigade (known as Wolfpack until 1999) remain among Scandinavia's most respected, influential and reliable purveyors of real-world brute-force hullabaloo. On this eleventh album, the niftiest skills honed to a fine edge over 30 years are dispatched with greater style and intensity than ever. Most immediately, there's the sheer velocity and barely-controlled rage pumping through dynamic d-beaten blood-shakers like Ways To Die and Your God Is A Corpse, the furious attack assisted to heart-fluttering greatness by a newly loosened sense of raucous spontaneity. "We didn’t really rehearse any of the songs on this album,"the band reveals. "We tend to overwork and overanalyze everything that we do, and sometimes we get lost in that process. This time we wanted to go rough, to capture the raw essence of the song when it’s just out of the womb. All the blood and gore." Mounting global chaos may have us all darkly fearing the end times, but it has also seemingly created the ideal circumstances for a hardcore punk LP as coruscatingly brutal as Wolfbrigade's “Life Knife Death”. -
Hardcore punk band from Athens, Greece. Members of Χωρίς Οίκτο, Lifewreck, Chain Cult. -
22 years, several ep’s and splits, 3 full lengths and countless tours around the globe, HELLSHOCK are still standing relevant and still playing some of the heaviest riffs in the world wide punk scene. Where most bands of the crust genre seem to lose the fire and filth or simply break up before their prime, this band seems to get more powerful with each release and this long awaited LP is no exception! This recording features the addition of Robbie Chronic from RIPPER on guitar who adds some real sick fucking solos on top of the established rolling crust riffage that the original core group had perfected years ago. Neck aching tempos, sheer brutality, growled anguished vocals, and epic song writing without straying from pure unadulterated crust. For the seasoned HELLSHOCK fan, you know you will already love this album and it will only exceed expectations. For the newcomer, if they were to ask “what is this crust/stenchcore thing about?”, I would point them to AMEBIX, DEVIATED INSTINCT, AXEGRINDER, and HELLSHOCK. The name deserves to be right beside the creators and masters. In another 20+ years this record will be regarded as one of the best crust records of the 2020’s, just as we look back at “Only the Dead Know the End Of War” as a defining record of the early 2000’s. -
Last in the Disfear re issue series. Crushing Swedish hardcore originally released in 1997 and of print on vinyl ever since. Disfear combines the intensity and bleak anti war imagery of Discharge and early UK bands with the heaviness of Swedish Death Metal and Crust. The result is like a sledgehammer to the walls of ignorance and oppression built up around us by the system. A blast of raw anger and pure hardcore power. Full color gatefold. -
Hardcore violence from Salonica! 6 new songs + their 2023 demo as a bonus. Black vinyl limited to 350 copies. -
Crust / D-beat band from Greece (Thessaloniki). This is the second release of the band. -
Raw noise D-Beat destruction. 8 songs of pure mayhem + a Chaos UK cover. Black vinyl + mini poster, limited to 300 copies. -
Celebrating the 30th anniversary of 1992 release "Droppin' Many Suckers" from the NYHC Pioneers Madball, with the remastered 7". Available in Black vinyl. -
War Crimes - Inhuman Beings is the 1988 debut release from influential UK Crust act Doom. -
But Wait, There's More is their first studio release in 15 years. D.R.I. is once again ready for Punk/Hardcore and Metal consumption! -
This is the long out-of-print (on vinyl) LP that was made from the “Dirty Rotten EP.” The band realized, once they saw the prices on things, that to do their 22-song 7″ as a 12″ would only cost a little more. So, with that, D.R.I. did it and the “Dirty Rotten EP” became the “Dirty Rotten LP.” -
Originally released circa 1999. Remastered by Brad Boatright. Essential, classic, crucial D-BEAT crust from the masters! -
Three decades ago, before the music industry began to colonize it, the do-it-yourself underground was a space of exodus and experimentation, often in violent opposition to the rest of the world. This was the context in which Catharsis appeared, one of a new wave of bands to meld metal drama with the raw urgency of hardcore punk. They quickly distinguished themselves by an almost self-destructive intensity and uncompromising anticapitalist ethic. Inverting Christian iconography to champion the struggle of the individual against a hostile cosmos, they took up the centuries-old banner No Gods, No Masters, extending this project of total defiance into their increasingly tumultuous lives. This apocalyptic orientation in turn informed their music, as they sought to hit upon the magic combination of words, harmonies, and rhythms that could spark a global conflagration. Catharsis broke up in 2002, following relentless touring on three continents and a final catastrophic five months in Europe. After a decade of watching the old records sell for absurd prices while bootleggers profited off substandard editions, we’ve finally taken it upon ourselves to offer a proper collection of their work. “Light from a Dead Star I.,” includes their debut 7”, and “Samsara” LP, packaged in a gatefold cover with oversize booklet offering all the original artwork.