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New record from Athens’s Rampage. 12 songs in good old hc/punk style.
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Reissue of the first album in Limited Red Vinyl (199 copies).
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Five years after the release of “Rebellion March”, Ομίχλη returns with a new album. Ομίχλη is a Greek street punk band formed in 1995 in Thessaloniki. Some of the lyrics are political, many talk about football and unity (of punks and skinheads). Transparent vinyl.
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Five years after the release of “Rebellion March”, Ομίχλη returns with a new album. Ομίχλη is a Greek street punk band formed in 1995 in Thessaloniki. Some of the lyrics are political, many talk about football and unity (of punks and skinheads). Black vinyl.
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Life Knife Death, from the veteran Swedish hardcore punk band Wolfbrigade, is the follow-up album to 2019’s The Enemy: Reality. Formed in 1995 in the small Swedish city of Mariestad by key players from Sweden's legendary hardcore scene, Wolfbrigade (known as Wolfpack until 1999) remain among Scandinavia's most respected, influential and reliable purveyors of real-world brute-force hullabaloo. On this eleventh album, the niftiest skills honed to a fine edge over 30 years are dispatched with greater style and intensity than ever. Most immediately, there's the sheer velocity and barely-controlled rage pumping through dynamic d-beaten blood-shakers like Ways To Die and Your God Is A Corpse, the furious attack assisted to heart-fluttering greatness by a newly loosened sense of raucous spontaneity. "We didn’t really rehearse any of the songs on this album,"the band reveals. "We tend to overwork and overanalyze everything that we do, and sometimes we get lost in that process. This time we wanted to go rough, to capture the raw essence of the song when it’s just out of the womb. All the blood and gore." Mounting global chaos may have us all darkly fearing the end times, but it has also seemingly created the ideal circumstances for a hardcore punk LP as coruscatingly brutal as Wolfbrigade's “Life Knife Death”.
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Life Knife Death, from the veteran Swedish hardcore punk band Wolfbrigade, is the follow-up album to 2019’s The Enemy: Reality. Formed in 1995 in the small Swedish city of Mariestad by key players from Sweden's legendary hardcore scene, Wolfbrigade (known as Wolfpack until 1999) remain among Scandinavia's most respected, influential and reliable purveyors of real-world brute-force hullabaloo. On this eleventh album, the niftiest skills honed to a fine edge over 30 years are dispatched with greater style and intensity than ever. Most immediately, there's the sheer velocity and barely-controlled rage pumping through dynamic d-beaten blood-shakers like Ways To Die and Your God Is A Corpse, the furious attack assisted to heart-fluttering greatness by a newly loosened sense of raucous spontaneity. "We didn’t really rehearse any of the songs on this album,"the band reveals. "We tend to overwork and overanalyze everything that we do, and sometimes we get lost in that process. This time we wanted to go rough, to capture the raw essence of the song when it’s just out of the womb. All the blood and gore." Mounting global chaos may have us all darkly fearing the end times, but it has also seemingly created the ideal circumstances for a hardcore punk LP as coruscatingly brutal as Wolfbrigade's “Life Knife Death”.
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Life Knife Death, from the veteran Swedish hardcore punk band Wolfbrigade, is the follow-up album to 2019’s The Enemy: Reality. Formed in 1995 in the small Swedish city of Mariestad by key players from Sweden's legendary hardcore scene, Wolfbrigade (known as Wolfpack until 1999) remain among Scandinavia's most respected, influential and reliable purveyors of real-world brute-force hullabaloo. On this eleventh album, the niftiest skills honed to a fine edge over 30 years are dispatched with greater style and intensity than ever. Most immediately, there's the sheer velocity and barely-controlled rage pumping through dynamic d-beaten blood-shakers like Ways To Die and Your God Is A Corpse, the furious attack assisted to heart-fluttering greatness by a newly loosened sense of raucous spontaneity. "We didn’t really rehearse any of the songs on this album,"the band reveals. "We tend to overwork and overanalyze everything that we do, and sometimes we get lost in that process. This time we wanted to go rough, to capture the raw essence of the song when it’s just out of the womb. All the blood and gore." Mounting global chaos may have us all darkly fearing the end times, but it has also seemingly created the ideal circumstances for a hardcore punk LP as coruscatingly brutal as Wolfbrigade's “Life Knife Death”.
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Hardcore punk band from Athens, Greece. Members of Χωρίς Οίκτο, Lifewreck, Chain Cult.
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High energy punk / rock & roll in the vein of Electric Frankenstein / Supersuckers / early Hellacopters from Athens / Greece.
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Biohazard released their third studio album State of the World Address in 1994. Their breakout from the underground into mainstream culture yielded an album where their musical style hasn't changed that much from the predecessors.
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22 years, several ep’s and splits, 3 full lengths and countless tours around the globe, HELLSHOCK are still standing relevant and still playing some of the heaviest riffs in the world wide punk scene. Where most bands of the crust genre seem to lose the fire and filth or simply break up before their prime, this band seems to get more powerful with each release and this long awaited LP is no exception! This recording features the addition of Robbie Chronic from RIPPER on guitar who adds some real sick fucking solos on top of the established rolling crust riffage that the original core group had perfected years ago. Neck aching tempos, sheer brutality, growled anguished vocals, and epic song writing without straying from pure unadulterated crust. For the seasoned HELLSHOCK fan, you know you will already love this album and it will only exceed expectations. For the newcomer, if they were to ask “what is this crust/stenchcore thing about?”, I would point them to AMEBIX, DEVIATED INSTINCT, AXEGRINDER, and HELLSHOCK. The name deserves to be right beside the creators and masters. In another 20+ years this record will be regarded as one of the best crust records of the 2020’s, just as we look back at “Only the Dead Know the End Of War” as a defining record of the early 2000’s.
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Last in the Disfear re issue series. Crushing Swedish hardcore originally released in 1997 and of print on vinyl ever since. Disfear combines the intensity and bleak anti war imagery of Discharge and early UK bands with the heaviness of Swedish Death Metal and Crust. The result is like a sledgehammer to the walls of ignorance and oppression built up around us by the system. A blast of raw anger and pure hardcore power. Full color gatefold.
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Crust / D-beat band from Greece (Thessaloniki).
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Hardcore violence from Salonica! 6 new songs + their 2023 demo as a bonus. Black vinyl limited to 350 copies.
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Crust / D-beat band from Greece (Thessaloniki). This is the second release of the band.
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Raw noise D-Beat destruction. 8 songs of pure mayhem + a Chaos UK cover. Black vinyl + mini poster, limited to 300 copies.
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Celebrating the 30th anniversary of 1992 release "Droppin' Many Suckers" from the NYHC Pioneers Madball, with the remastered 7". Available in Black vinyl.
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Street punk pioneers Charged G.B.H. formed in Birmingham in 1978, the name referencing original bassist Sean McCarthy's trial for grievous bodily harm. The in-your-face hardcore of EP "Leather, Bristles, Studs And Acne," paved the way for super-charged debut LP, City Baby Attacked By Rats, which hit the number two position on the British indie charts on release in 1982, as well as the mainstream top 20, despite being released by tiny independent, Clay Records. With a touch of Motorhead and Sabbath beneath their straight-up hardcore, City Baby is where the legend begins, capturing G.B.H. at their bloodiest.
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After the chart-topping debut City Baby Attacked By Rats, Birmingham ‘UK82’ punk pioneers Charged G.B.H. cut City Baby’s Revenge, their second release for Clay Records, and even though a mere year had passed, City Baby’s Revenge showed significant progression, Jock’s guitar more obviously inspired by metal, the lyrics more explicit and the sound even rawer than before. With a cool take of the Stooges’ ‘I Feel Alright’ and the reggae/rockabilly-esque ‘Skanga,’ this acclaimed winner is the LP that broke the band in the USA and is arguably the best they ever recorded required listening for the band’s devotees and all fans of metal-edged hardcore.
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War Crimes - Inhuman Beings is the 1988 debut release from influential UK Crust act Doom.
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But Wait, There's More is their first studio release in 15 years. D.R.I. is once again ready for Punk/Hardcore and Metal consumption!
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Out of stockBut Wait, There's More is their first studio release in 15 years. D.R.I. is once again ready for Punk/Hardcore and Metal consumption!
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This is the long out-of-print (on vinyl) LP that was made from the “Dirty Rotten EP.” The band realized, once they saw the prices on things, that to do their 22-song 7″ as a 12″ would only cost a little more. So, with that, D.R.I. did it and the “Dirty Rotten EP” became the “Dirty Rotten LP.”
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10 Greek bands compilation. Tracklist:1. Είσοδος Κινδύνου – Είσοδος Κινδύνου2. Era of Fear – Μίσος3. Cold i – Γράμμα στη Βενετία4. Cyclothymics – Όνειρο στον Κόσμο5. Chain Cult – Κράτος Φόβου6. Γεμάτος Αράχνες, ρε Φίλε! – Αρρωστημένη Κοινωνία7. Hekátē – Φώναξε8. Gay Anniversary – Μια Μηχανή9. Αρχή του Τέλους – Στον Απόηχο των Σκιών10. Doric – Ταλαντωτές σε Έξαρση
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Reissue for the 2018 album by NYHC pioneers Sick Of It All. Wake the Sleeping Dragon is not sensitive, subtle, nuanced singer songwriter fare. Aggressive, angry and in your face old school Lower East Side hardcore punk. Sick Of It All have made another career and genre defining album. Don’t sleep on Wake the Sleeping Dragon.
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Originally released circa 1996. Remastered by Brad Boatright. Essential, classic, crucial D-BEAT crust from the masters!
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Originally released circa 1998. Remastered by Brad Boatright. Essential, classic, crucial, D-beat crust from the masters.
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Originally released circa 1999. Remastered by Brad Boatright. Essential, classic, crucial D-BEAT crust from the masters!
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Three decades ago, before the music industry began to colonize it, the do-it-yourself underground was a space of exodus and experimentation, often in violent opposition to the rest of the world. This was the context in which Catharsis appeared, one of a new wave of bands to meld metal drama with the raw urgency of hardcore punk. They quickly distinguished themselves by an almost self-destructive intensity and uncompromising anticapitalist ethic. Inverting Christian iconography to champion the struggle of the individual against a hostile cosmos, they took up the centuries-old banner No Gods, No Masters, extending this project of total defiance into their increasingly tumultuous lives. This apocalyptic orientation in turn informed their music, as they sought to hit upon the magic combination of words, harmonies, and rhythms that could spark a global conflagration. Catharsis broke up in 2002, following relentless touring on three continents and a final catastrophic five months in Europe. After a decade of watching the old records sell for absurd prices while bootleggers profited off substandard editions, we’ve finally taken it upon ourselves to offer a proper collection of their work. “Light from a Dead Star II.” includes their “Passion” LP, split LP’s w/ Gehenna and Newborn. It also includes the final Catharsis song, “Absolution,” recorded alongside “Arsonist’s Prayer” in their last session but never released. Packaged in a gatefold with oversize booklet offering all the original artwork.
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Three decades ago, before the music industry began to colonize it, the do-it-yourself underground was a space of exodus and experimentation, often in violent opposition to the rest of the world. This was the context in which Catharsis appeared, one of a new wave of bands to meld metal drama with the raw urgency of hardcore punk. They quickly distinguished themselves by an almost self-destructive intensity and uncompromising anticapitalist ethic. Inverting Christian iconography to champion the struggle of the individual against a hostile cosmos, they took up the centuries-old banner No Gods, No Masters, extending this project of total defiance into their increasingly tumultuous lives. This apocalyptic orientation in turn informed their music, as they sought to hit upon the magic combination of words, harmonies, and rhythms that could spark a global conflagration. Catharsis broke up in 2002, following relentless touring on three continents and a final catastrophic five months in Europe. After a decade of watching the old records sell for absurd prices while bootleggers profited off substandard editions, we’ve finally taken it upon ourselves to offer a proper collection of their work. “Light from a Dead Star I.,” includes their debut 7”, and “Samsara” LP, packaged in a gatefold cover with oversize booklet offering all the original artwork.